Editors' Picks: Our Favourite Albums And Tracks
The worst aspect of music journalism, in some respects, is its tendency to encourage lists.
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The worst aspect of music journalism, in some respects, is its tendency to encourage lists.
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This weekend, BleeD Music are bringing a mighty line-up to London's Corsica Studios, headed up by Morphosis, Berlin-based DJ/musician and head of the Morphine label.
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When an indie rock act has been steadily gaining traction over their past few records and decides to change direction and create a slick pop album steered by three different producers, anything can happen.
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Never warm or without rain, despite moving from November to June last year, Sheffield Doc/Fest is the biggest documentary festival in the UK.
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Chromatics' new album Kill For Love , their second for the Italians Do It Better label, at first listen surrenders its pleasures readily, all nocturnal, cigarettes-and-tears gothisms stretched over 92 minutes, like a worry that you can't shake.
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One of my most rocked artists of the early 21st century was TQ.
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If imitation is the biggest form of flattery then, according to 90% of the vocal people on the internet, James Blake should be blushing like a particularly shy schoolgirl right about now, in the wake of Welsh producer Ifan Dafydd's debut EP.
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There's much joy in our office today as I Like Trains, perennial favourites of The Quietus, announce a special show to take place in the world's only submarium later this year.
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To predict anything about the activities of Killing Joke would require powers of divination beyond those imagined even by the mystically-inclined singer Jaz Coleman.
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What appears at first to be field recordings of church bells (but is actually percussion) and squealing, workshop band saws slicing through timber set the tone for what is a serious but beautiful album.
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This Thursday, itinerant frontman Damo Suzuki returns to Cafe Oto for one of his infamous sets that'd it be an insult to term a jam.
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