Tony Vega has been a heavy hitter for the RMM label for several years, producing several gold and silver records. Long stints with both Eddie Palmieri and Louie Ramirez have produced big hits such as "Mi Amigo el Payaso," "Caramelito de Campo," and "Busca el Ritmo." A vocalist of his caliber does not often miss. Such is the case with the 2004 release of Tu Eres Mi Respirear. The results of the seamless production of Carolina Arenas combined with the distilled restraint of Vega's performance are butter smooth. The horn lines throughout are well written and expertly delivered. The inclusion of orchestral accompaniment on "Cuestión de Fe" and "Carita de Sol" adds a pop sensibility, creating real drama. The title cut and last track on the album, "Tú Eres Mi Respirar" is a surprise arrangement of the CCM classic "This Is My Daily Bread," a new turn for this artist, having achieved major success in secular markets. Vega's approach on this record is to round off every corner and present the song like a river stone, as flawless and shiny as possible. Though he is successful in this tireless pursuit, the perfection sometimes detracts from the feel. Always a proponent of the romantic side of the genre, Vega touches and inspires with gospel-inflected balladry and salsa on the sensual side. ~ Evan C. Gutierrez, All Music Guide
After his triumphant RMM years, Tony Vega wished to try different arenas without forsaking his commitment to his salsa fans. For added thrills, mariachis are incorporated into this outing, wherein the vocalist joins in convincing fashion. Jose Alfredo Jímenez's classic "Corazón, Corazón" was issued in both salsa and ranchera versions. The singer pays homage to the early days as one of the timbalero/bandleader's lead singers with "Mi Swing" (featuring Willie Rosario and arranging star Bobby Valentín). Tony Vega comes full circle, and throws some surprises into the fray. ~ José A. Estévez, Jr., All Music Guide
Grammy award nominee vocalist Tony Vega continues his romantic salsa and Latin pop style on Hablando de Amor. Recorded in Puerto Rico where Vega assembled some of the islands top musicians to play the arrangements of Bobby Valentin, Ray Santos, Louis Garcia, and Rafael Solano. ~ Al Campbell, All Music Guide
One of Tony Vega's most unusual efforts, the singer adds his customary romantic appeal to a different canvas; the repertoire includes newfound faith messages. "Hoy Quiero Cantarte" was composed by the singer and "Mi Iglesia" is a sample of the singer's new interest in religious-oriented material. A medley of the late, great Ismael Rivera's most celebrated tunes is included in this production, which indicates that the singer is looking for a newer, more eclectic direction. Produced by Humberto Ramírez. ~ José A. Estévez, Jr., All Music Guide
More Tony Vega romanticism with a salsa backdrop, featuring more works by Omar Alfanno ("Olvídalo Ya," "Haremos el Amor," "Devuélveme la Vida," and "Su Recuerdo"). Besides adding another notch to his discography, on this release Vega welcomed top arranger/musical director Julio Alvarado. As smooth as romantic salsa can be, Tony Vega can also appeal to the dancer, and does so with contagious enthusiasm. ~ José A. Estévez, Jr., All Music Guide
As usual, Tony Vega and his producer/arranger continue with the winning formula that served them so well. "Fui la Carnada," "Ella Es" (another winner by Omar Alfanno), and the title tune cemented Tony Vega as one of the great catalysts of romantic salsa, done to a swinging turn. ~ José A. Estévez, Jr., All Music Guide
Tony Vega continues the winning streak that granted him great popularity in the early '90s. The title tune (by Omar Alfanno) was another monster hit for Vega, and other tunes follow suit: "Esposa" (composed by Omar Alfanno), "No Me Llames Amor," "Deja" (also by Alfanno), and "Por Fin" were primary ingredients that made the salsa superstar a household name. Producer/arranger/musical director Humberto Ramírez put together a nifty recording. ~ José A. Estévez, Jr., All Music Guide
Tony Vega's first solo record is still one of his best. After his eight-year tenure with timbalero/bandleader Willie Rosario, he continues with his brand of swinging salsa, but adapted to the romantic trend of the times. The title tune (composed and previously recorded by Cuban New Wave giant Pablo Milanés) is one his most popular ever. "Hoy," the jubilant "De Tiempo en Tiempo" (composed by C. Curet Alonso and arranged by Mario Ortiz), and "Todo Para Tí" (composed by Charlie Donato) are immensely recommendable. ~ José A. Estévez, Jr., All Music Guide