Tina Turner Albums (14)
'Beyond: Buddhist and Christian Prayers'
Release Date 1/1/2009
Tracks 13
Label Universal
See Album Tracklist and Review
'Twenty Four Seven'
Release Date 11/1/1999
Tracks 11
Label Parlophone
See Album Tracklist and Review
What The Critics Say
The album is actually credited to just Tina, and no one has earned the right to a single moniker more than the former Mrs. Turner. Now over 60, Tina has picked a suite of songs about survival, a topic she knows well, and imbued them with as much soul as she can muster. Tina still puts Mariah Carey and Celine Dion to shame. But unfortunately, on Twenty Four Seven, the famous Turner passion is often submerged in glossy production that virtually defines "adult contemporary." In some transcendent moments, Tina reminds us of the woman who sang "River Deep, Mountain High" -- like when she spits out "I've never been a winner but I still play the game" in "All the Woman," or during the powerful coda to "I Will Be There." As Tina sings in "Absolutely Nothing's Changed," she's lived to fight another day, and that's proof she ain't been broken. ~ Mark Morgenstein, All Music Guide
What The Critics Say
An exuberant album of euphoric tales and exhortations. Wildest Dreams reflects Tina Turner's happiness with life after Ike Turner and with finally reaching megastardom in her fifties. The 13 songs buoy her thesis and provide almost an hour of listening pleasure, most notably on a remake of John Waite's "Missing You," a saucy soul duet with Barry White on "Wildest Dreams," and an understated funk jam entitled "Something Beautiful Remains." ~ Bill Carpenter, All Music Guide
'What's Love Got to Do with It'
Release Date 1/1/1993
Tracks 12
Label Virgin
See Album Tracklist and Review
What The Critics Say
This is the soundtrack for the Tina Turner film that got Angela Bassett and Lawrence Fishburne Oscar nominations. There's little here that you couldn't get elsewhere in better versions, but if you only want a hint of the music Tina Turner made in various contexts, with and without Ike, this would be a serviceable purchase. Otherwise, get the film and hear the music in the correct setting. ~ Ron Wynn, All Music Guide
What The Critics Say
Turner's last studio album for Capitol was produced by the late Dan Hartman of "Instant Replay" disco fame; however, this was not a retro '70s-style album. This set was comprised of 12 mature, middle-range, adult rock and pop songs. Turner tackled rock on "Steamy Windows" and "The Best," the latter a universal hit. She created fine club tracks such as "Falling Like Rain," "I Don't Wanna Lose You," and "Look Me in the Heart." Still, she cooled down long enough for a couple of gutbucket ballads in "Be Tender With Me Baby" and "Ask Me How I Feel." The most interesting cut was the scorching return to Turner's Delta roots on the flawless "Undercover Agent for the Blues," one of the finest pop-blues performances since B.B. King's "The Thrill Is Gone." Despite the slight musical style variations, the whole project was wrapped in an enticing pop style that gave it buoyancy and synthesis. ~ Bill Carpenter, All Music Guide
What The Critics Say
A "live" 2-fer of her hits from the '60s to present. ~ Bil Carpenter, All Music Guide
What The Critics Say
Because it contains its share of memorable and inspired material -- and even a few gems -- it seems inappropriate to call Tina Turner's Break Every Rule a disappointment. But because Private Dancer was so incredible a comeback, one greeted this anxiously awaited follow-up with such high expectations that anything less than outstanding would have been disappointing. And the album isn't outstanding -- it's generally quite enjoyable and far from weak -- but not outstanding. Be that as it may, there's a lot to savor here. "Two People" is forgettable, but Turner definitely has some gems in the power ballad "I'll Be Thunder," the driving rocker "Back Where You Started" and the haunting David Bowie piece "Girls." While Private Dancer would be a much better introduction to Turner's work as a solo artist, this has more pluses than minuses. ~ Alex Henderson, All Music Guide
What The Critics Say
In 1984, a 45-year-old Tina Turner made one of the most amazing comebacks in the history of American popular music. A few years earlier, it was hard to imagine the veteran soul/rock belter reinventing herself and returning to the top of the pop charts, but she did exactly that with the outstanding Private Dancer. And Turner did so without sacrificing her musical integrity. To be sure, this pop/rock/R&B pearl is decidedly slicker than such raw, earthy, hard-edged Ike & Tina classics as "Proud Mary," "Sexy Ida," and "I Wanna Take You Higher." But she still has a tough, throaty, passionate delivery that serves her beautifully on everything from the melancholy, reggae-influenced "What's Love Got to Do With It" to the gutsy "Better Be Good to Me" to heartfelt remakes of the Beatles' "Help," Al Green's "Let's Stay Together," and David Bowie's "1984." A reflection on the emptiness of a stripper's life, the dusky title song is as poignant as it is depressing. Without question, this was Turner's finest hour as a solo artist. ~ Alex Henderson, All Music Guide
