The Trashmen Albums (4)
Bird Call!: The Twin City Stomp of the Trashmen

What The Critics Say

Over half of this collector's four-CD box set is previously unissued studio, demo, rehearsal, or live recordings. Nothing is duplicated in this material originally recorded from 1961-1967. The Trashmen are an amazing summary of contradictions when looked at from afar. In pictures, even live ones, they are four clean-cut chaps in suits. Their nationwide 1963 hit "Bird," the 1965 version of which is included here, is a deliriously silly, primitively noisy, and utterly infectious gem. It's like playing a Black Sabbath album and showing pictures of the Bee Gees and trying to get someone to believe they are one and the same. The Trashmen's arrangements are two guitars of clarion twang and garage crunch with harmony with lead vocals often moving from one member to another. While some of their covers are saccharine (for example, Buddy Holly's "Tell Me How"), they offer such glorious trash rock as the cartoonish analysis of Bo Diddley's signature sound in "Bird Diddley Beat." The Trashmen tap straight into a democratic and transforming American spirit that celebrates the Universal Goof, a sort of holy fool spreading pure joy through music. There you have the entertainment recipe of the Trashmen: surf, doo-wop, blues, and rock & roll motifs swirled together for either devastating hilarity or smooth, slow dancing ballads. ~ Tom Schulte, All Music Guide

The Great Lost Trashmen Album!

'The Great Lost Trashmen Album!'

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What The Critics Say

Recorded in March 1964 and January/July 1966, The Great Lost Trashmen Album! was the supposed second release from those Minneapolis hodads who gave the world "Surfin' Bird." The material finds the Trashmen heading toward Beatles territory on the 1966 sessions, especially on "Talk About Love" (featuring Farfisa organ) and Buddy Holly's tune "Heartbeat." There's also plenty of amazing surf instrumentals and vocal tracks comparable to "Kuk," with cool gremmie/hot-dogging/kowabunga lyrics. "Think It Over" would have made an excellent inclusion in one of those AIP beach party movies of the early '60s. Needless to say, if you have any interest in surf music beyond the Beach Boys, buy this Sundazed disc immediately! ~ Al Campbell, All Music Guide

Live Bird '65-'67

'Live Bird '65-'67'

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What The Critics Say

Although marketed as a surf band, Minnesota's Trashmen were decidedly landlocked by geography, but not by spirit. The group's odd mix of surf, R&B, sneering garage pop, and psychotic instrumentals made them one of the most eccentric and interesting of the groups that sprang up around the surf craze of the early '60s. This delightful collection of rare live tracks shows the kind of offhand, humorous dementia that they channeled into their shows, climaxing in a near six-minute version of their wacky masterpiece, the manic "Surfin' Bird." But this was a surprisingly versatile and nimble band, and their versions here of Booker T. & the MG's' "Green Onions" and James Brown's "Mashed Potatoes" spotlight a funky little R&B groove, while "Same Lines" sneers along with the best of 1960s garage punk, and "Keep Your Hands off My Baby" is skillfully executed faux doo wop. Two of the songs here ("Bird Dance Beat," "King of the Surf") were recorded at the Home School for Girls at the Saux Centre in Minnesota in 1966, and the mere thought of young, impressionable girls listening to this band of goofy maniacs is a sobering one. ~ Steve Leggett, All Music Guide

Surfin' Bird

'Surfin' Bird'

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What The Critics Say

The only album released by the Trashmen during their lifetime actually outstrips most of the Southern California-based competition, due to the ferocious grit of the playing and a vaguely demented, go-for-broke recklessness. A good mix of instrumentals and vocals, though nothing else is on the level of the title cut; the CD reissue adds demos of "Surfin' Bird" and "Bird Dance Beat, " and a couple rare singles. ~ Richie Unterberger, All Music Guide


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