The Staple Singers Albums


The Staple Singers Albums (21)
The 25th Day of December

'The 25th Day of December'

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What The Critics Say

This set is the honest to goodness real deal, an undeniably great Christmas album that not only includes simple but striking arrangements of several holiday classics but also plays and feels very much like an album of tracks that really belong together, and it builds as it goes into a striking and powerful listen. Recorded in 1962 at Universal Studios in Chicago, the album features the classic Staple Singers lineup of Pops, Mavis, Yvonne, and Pervis Staples on vocals, with Pops doubling on his trademark reverb-drenched guitar alongside Maceo Woods on organ and Al Duncan on drums. The arrangements are simple and natural, leaving plenty of room for the vocals, and versions here of "The Last Month of the Year," "Joy to the World," and Thomas Dorsey's "The Savior Is Born" are nothing short of an easy, natural perfection. Pops' spooky guitar work gives extra atmosphere to the lightly funky "No Room at the Inn" and the gorgeous rendition of "Silent Night" that ends the album. The 25th Day of December is a wonderful outing, and a classic holiday album. ~ Steve Leggett, All Music Guide

Pass It On

'Pass It On'

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Freedom Highway

'Freedom Highway'

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What The Critics Say

Originally released on Epic in 1965 as a live in-church session, Legacy's 1991 reissue of Freedom Highway includes two of the original LP tracks supplemented by some truly spirited late-'60s Epic recordings. Despite the glaring omissions, Freedom Highway never feels like a hastily thrown-together compilation. Instead, it follows an arc that deftly mirrors the religious, political, and social fervor of the '60s as filtered through the warm vibrato of Pops Staples' amplifier and the golden throats of his brood. Gospel standards like "Will the Circle Be Unbroken" and "Wade in the Water" benefit from the full band arrangements, giving them a swift kick of rock & roll that would eventually morph into the soul-funk sound of their popular '70s period. Pops, inspired by his meeting with Martin Luther King, Jr., contributes the wickedly infectious title cut -- one of the two live tracks from the original -- and the incendiary "Why Am I Treated So Bad," a bluesy lament inspired by the hardships of the "Little Rock 9." As always, the vocals and harmonies are nothing short of astounding, most notably on the Mavis Staples-led "Move Along Train" -- never has gospel sounded so sexy. Each song bristles with emotion and resonates deeper with every repeated listen, resulting in an experience that transcends scripture while remaining true to its alternately redemptive and fiery foundations. Freedom Highway captures a family approaching the cusp of catharsis, and its charms lie in the world-weary delivery of its message. Their devotion has been tested and their hands have been bloodied, but their faith has grown into an endless garden because of it, and by the time they reach the spookiest version of "This Train" ever put to tape, listeners will no doubt feel as empowered as the stoic passengers themselves. ~ James Christopher Monger, All Music Guide

Let's Do It Again

'Let's Do It Again'

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What The Critics Say

As Stax neared bankruptcy, the Staples signed with Curtis Mayfield's Curtom label for this soundtrack album. The title track was a number-one hit and "New Orleans" reached number 70, returning the Staples to the upper echelons of the charts for the last time. ~ Rob Bowman, All Music Guide

Swing Low

'Swing Low'

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City in the Sky

'City in the Sky'

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What The Critics Say

City in the Sky, the final LP that the Staple Singers made with Stax Records, features the same socially conscious lyrics and powerful singing that had become their trademark before the album's 1974 release. While the original recording didn't have the kind of explosive singles like "Respect Yourself" and "I'll Take You There" that helped them become legends of soul music, this is by no means a weak album. The opener "Back Road Into Town" seethes with energy and anger-tinged pride, while "Washington We're Watching You" combines that same message of anger and pride with organ and horn-driven funk. The Staple Singers return to the gospel style that had begun their musical career nearly 20 years before with "Who Made the Man," -- perhaps the strongest song on the album, alternating between gentle invectives by Pop Staples and powerful harmonic blasts by Mavis, Cleotha, and Yvonne. Overall, the album combines a classic Stax-influenced soul sound with a strong message, making it an essential part of the Staples Singers' catalog. [The 1996 CD reissue of City in the Sky features four bonus tracks, including "Oh La De Da" and live versions of "I Like the Things About You," "Respect Yourself," and "I'll Take You There."] ~ Stacia Proefrock, All Music Guide

We'll Get Over

'We'll Get Over'

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What The Critics Say

Their second Stax release was similar to Soul Folk in Action. The album's highlight is Randall Stewart's "When Will We Be Paid?" ~ Rob Bowman, All Music Guide

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