The Sonics Albums (4)
The Boom

'The Boom'

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What The Critics Say

The Sonics' second album is every bit as explosive and influential as their debut outing, loaded with gritty Northwest rock & roll. Sandwiched in between the abrasive classics of "Cinderella" and "Don't Be Afraid of the Dark" (with the Wailers on backing vocals), the funk sass of "The Hustler" and "Shot Down," the demonic "He's Waitin'," and the sledgehammer, inside-out version of "Louie, Louie" (only three chords to play and they don't even play 'em) are the band's straight-ahead takes on old R&B chestnuts like "Skinny Minnie," "Let the Good Times Roll," "Don't You Just Know It," "Since I Fell for You," "Hitch Hike," and a nice barn-burning version of "Jenny Jenny." Where the Wailers cut down the trees and paved the highway, the Sonics were the first group from their neck of the woods to take that music somewhere wilder than their original inspirations. The second chapter of Northwest rock & roll after you absorb the Wailers' Golden Crest sides. ~ Cub Koda, All Music Guide

Here Are the Sonics

'Here Are the Sonics'

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What The Critics Say

The Sonics that Wailers bassist Buck Ormsby took into a small studio and unleashed on the world show a live band at the peak of its power, ready to mow down the competition without even blinking twice. Their debut long-player (originally issued on the Etiquette imprint) is reprised here with new liner notes by Norton prexy Miriam Linna in the original mono. The flame-throwing hits of "The Witch," "Psycho," "Boss Hoss," and "Strychnine" are aboard, along with versions of "Do You Love Me," "Dirty Robber," "Have Love Will Travel," and "Walkin' the Dog" that are no less potent. This long-play vinyl reissue also boasts the addition of four bonus tracks: "Keep a Knockin'" (the original B-side of "The Witch") and three selections from an Etiquette Christmas album, "Don't Believe in Christmas," "The Village Idiot," and "Santa Claus." Another important chunk of Seattle rock & roll history. ~ Cub Koda, All Music Guide

Psycho-Sonic

'Psycho-Sonic'

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What The Critics Say

Everyone would agree that the Sonics reached their peak on their 1964-65 recordings for Etiquette. This 29-track compilation has everything they recorded for the label, extended not just to everything from their singles and two albums, but also with an alternate take of "The Witch" and live recordings of "Psycho" and "The Witch." Consequently, it's the best Sonics release on the market, though you should be warned: it's not wall-to-wall greatness. After the first half-dozen or so songs, you might well be ready to buy into their legend as one of the great (and certainly rawest) '60s garage bands, as those tracks include their toughest elementary riff-fueled pounders: "The Witch," "Psycho," "Boss Hoss," "He's Waitin'," and "Strychnine." But too much of the rest is filled out with covers of '50s and '60s rock and R&B standards, and the relentlessly frantic bang-it-out frat punk and throat-tearing vocals get blurry after a while, though at least they threw in a little-covered tune with their version of Adam Faith's "It's Alright." [The 2003 CD edition of this anthology, incidentally, is substantially different from Big Beat's first release of the material, though it has identical tracks and the same title. It's taken from first-generation tapes, and also has a 20-page booklet of liner notes with extensive quotes from several band members (including lead singer Gerry Roslie) and others involved in the group's career.] ~ Richie Unterberger, All Music Guide

Introducing the Sonics

'Introducing the Sonics'

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What The Critics Say

This is a limited-edition, 180-gram premium vinyl audiophile pressing of the group's final album for Jerry Dennon's Jerden label. In addition to the band's two original hits (recorded and originally issued on the Etiquette label), there are 13 sides that were cut at the band's last session in 1966. All of the material on here is the same as on Jerden's compact disc version of the same material (issued as Maintaining My Cool), save for the exclusion of a lame version of "Hanky Panky," mercifully replaced here with Gerry Roslie's original "Love Lights." This makes a more than interesting comparison for audiophiles when compared to Jerden's CD version of this, minus the track swap. This also features the original album cover art of the band captured in a blue duo-tone in their matching gaucho outfits. Hardcore fans of the band and completists will want both versions of this. ~ Cub Koda, All Music Guide


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