Laura Marling adds eight more dates to run of 'immersive' London shows
Laura Marling has added a further eight dates to her run of 'immersive' live shows which are set to take place in London next month.
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Laura Marling has added a further eight dates to her run of 'immersive' live shows which are set to take place in London next month.
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Laura Marling is set to stage a series of 'immersive' live shows in London next month.
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Hype is a necessary, though often dangerous tool for marketing music in the digital age.
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The Queen Mother passed away, Argentina defaulted on its sovereign debt, and the nation became experts in a hitherto insignificant little bone when David Beckham broke his metatarsal.
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If there were any justice in the pop music world, Scaramanga Six would be in for some well deserved kudos right about now.
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The Knife's Shaking The Habitual show has been one of the most divisive live performances of the year.
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If there's one word you wouldn't use to describe The Knife , it would be "predictable".
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The best claim that can be made for this show, executed with a collective called Sorkklubben, is that it "challenges preconceptions of what a concert is".
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The worst aspect of music journalism, in some respects, is its tendency to encourage lists.
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The Knife 's recent, divisive 20-minute drone track, Old Dreams Waiting To Be Realized, is a surprising development in an era when attention spans have supposedly dwindled to bulletpoint length.
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The Knife's most recent album Shaking The Habitual has been a jolt for fans of their stellar but increasingly safe electronic pop.
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Don't mess with pro skateboarders -- just check out this insane video shot in Illinois this weekend, showing pro boarders Don Nguyen and Justin Figueroa unleashing fists of fury on a bunch of locals ... and someone even pulls out a KNIFE.
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The Knife brought their new album 'Shaking The Habitual' to London's Roundhouse last night (May 8).
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These are their first shows for years, long slavered-for, but reaction has been violently mixed.
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The stampede to visit the David Bowie exhibition at the V&A – like the veterans line-up for this year's Meltdown festival at the South Bank curated by Yoko Ono – seems to suggest that fantastically avant garde, fascinatingly alien pop stars are thin on the ground right now.
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The title and cover art of Philadelphia six-piece Grandchildren' s sophomore LP Golden Age imply – okay, they flat out declare – a revisiting of '60s and '70s Western culture, that magically forward-thinking era you may have lamented showing up too late for while re-watching your Woodstock DVD every night between 13 and 16.
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They acknowledge themselves that they've "grown very slowly in their six years as a band," but Canadian dream-pop band Young Galaxy are finally coming into their own as a band. 2011's Shapreshifting seemed to light a fire under them, and their new record is arguably their most confident and assured set of songs yet.
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Ah, festivals, what a lark. ,Well, we have that all listed and itemised below, starting with The Prodigy, who'll headline their so-called Warriors' Gathering, a festival-within-a-festival at Serbia's EXIT.
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Cat Power , Grimes, Steve Mason and Phosphorescent have been added to the lineup for Øya Festival 2013.
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No wonder, as a period of musical innovation morphs into an era of refinement and recontextualisation, that a refined sense of context nudges ever closer to poll position on the starting grid of critical tools favoured by some writers.
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The Knife returned to the stage for the first time in three years in Bremen, Germany on Friday night.
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December 1985, a courthouse in Los Angeles.
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Calvin Harris, Rizzle Kicks, Jack Beats and Duke Dumont, indicating the shift.
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Everything about The Knife's "A Cherry On Top" is a little tough to take.
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"No habits! There are other ways to do things," read a line from the press text sent out a few weeks before the release of The Knife's first solo album since 2006's Silent Shout.
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In his short time as a prolific musician, James Blake has made music that could be called post-dubstep, experimental electronica, experimental singer-songwriter, IDM balladry, remixed classic rap and R&B tracks and collaborated with Bon Iver and Trim. On his self-titled debut, Blake's soulful meditative voice was to the fore of his electronic gospel productions.
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In all honesty, XLR8R doesn't really need to weigh in on whether or not the new LP by Swedish duo The Knife is any good.
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Beady Eye have announced details of their brand new album, which will be titled 'Be'.
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The Interview to promote the newly released album of the same title – scroll down to watch.
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If you're having difficulty getting deep into The Knife' s Top Star-earning new album Shaking The Habitual , you're certainly not alone.
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To call James Blake 's second LP "greatly anticipated" may be a bit of an overstatement, but only because it's been hardly two months that we've even known that a new album would be available some time this year.
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In the mystery-o-meter rankings, with well over a decade of experimental and provocative electronica to their name, The Knife have long since occupied a spot alongside enigmatic and unconventional musicians and producers such as MF Doom, Daft Punk and Aphex Twin. Summarising the Swedish duo's output beyond that description is a little tougher.
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Don't call it their Kid A. It owes nothing to Radiohead.
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Before there was EDM, our modern shorthand for electronic dance music, there was IDM, or intelligent dance music.
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In the seven years since Silent Shout , Swedish siblings Karin Dreijer Andersson and Olof Dreijer have ventured unfathomably far from the towering synth pop with which they made their name.
Read MoreBuzzFeed lists the eight best Roger Ebert shoutouts in rap music.
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With just a few days left before The Knife unleash their massively ambitious new LP Shaking the Habitual , the Swedish electronic duo have shared a pair of remixes of their lead single "A Tooth For An Eye." Matching Karin Dreijer Andersson and Olof Dreijer's feminist advocacy the duo has tapped two female producers, with the first coming from Brooklyn's Pursuit Grooves, the second from London's Cooly G.
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