- Band Members: Ryan Pope, Robert Pope, Nathan Shay, Jim Suptic, Matthew Pryor, James Dewees
- Genre: Rock & Alternative
- Influenced by: Rites of Spring, Minor Threat, Fugazi, Superchunk, Jawbreaker
- Followed By: Terminal, The Early November, Socratic, The Starting Line, Hidden in Plain View, So They Say, Greeley Estates, Funeral for a Friend, Latterman, Calendar Girl, Spitalfield, Matchbook Romance, Boys Night Out, Self Against City, Rosematter, Faulter, Down to Earth Approach, Dexter Danger, Fall Out Boy, Silent Friction, Punchline, Joshua, Jack's Broken Heart, The Forecast, Story of the Year, Hellogoodbye, Silverstein, Pistolita, Amber Pacific
- Similar Artists: Rites of Spring, Jawbox, The Nation of Ulysses, Lungfish, Weezer, Sunny Day Real Estate, Gaunt, Jimmy Eat World, Sense Field, Mineral, Refused, The Promise Ring, Tugboat Annie, Braid, Brandtson, Compound Red, Castor, Saves the Day, Piebald, Jets to Brazil, Sunday's Best, Rye Coalition, The Stereo, Hot Rod Circuit, Koufax, The Anniversary, Ace Troubleshooter, Something Corporate, Finch, Liars Academy, Mike Park, Audio Learning Center, Red Bank, The Exit, Fall Out Boy, The All-American Rejects, Matchbook Romance, Anatomy of a Ghost, JamisonParker, Denver Harbor
Kansas City's Get Up Kids play melodic, pop-inflected emo similar to the Promise Ring and Braid, with whom the band released a split single in 1998. The influential group -- vocalist/guitarist Matthew Pryor, guitarist/vocalist Jim Suptic, bassist Robert Pope, and drummer Ryan Pope (Robert's younger brother, who replaced Nathan Shay early on) -- debuted in 1996 with a slew of 7"s, including Shorty on the Huey Proudhon label and All Stars on Doghouse Records. Both the Woodson EP and their debut full-length, Four Minute Mile, the latter which they recorded with Shellac's Bob Weston, were released in 1997. The well-received albums started a growing buzz around the indie rock scene, even causing the band to field offers from major labels, which they ultimately turned down. In 1998, the Get Up Kids toured extensively with bands like the Promise Ring and Jimmy Eat World and released more singles, including "I'm a Loner, Dottie, a Rebel," which also appeared on their classic 1999 album, Something to Write Home About. Released through Heroes & Villains/Vagrant, Something to Write Home About featured newly added keyboardist James Dewees and focused the scrappy energy of their promising debut into a visceral and intelligent collection of highly introspective and melodic songs that would go on to influence countless bands; the album garnered high critical and fan praise and made the Get Up Kids heroes of the emocore scene.
The band resurfaced two years later, re-releasing some of its early works as the album Eudora and hitting the road with Green Day, Hot Rod Circuit, and Weezer along the way. It wasn't until 2002 that a new album, On a Wire, surfaced, featuring more sparsely arranged and somber songs different than the stirring emo-pop of before. The relatively more upbeat Guilt Show, the band's fifth album and third effort with producer Ed Rose, appeared in spring 2004. The concert album Live @ the Granada Theater surfaced a year later, marking the band's tenth anniversary together. But 2005 also marked their final set of tour dates, as the guys announced around the same time that they would be calling it quits -- the last Get Up Kids date was held at their hometown's Uptown Theater on July 2, 2005. The bandmembers continued on with various individual projects, including Pryor with the New Amsterdams and his kids' music project, the Terrible Twos; Dewees with Reggie and the Full Effect; Suptic with his own Blackpool Lights; and the Pope brothers with Koufax. ~ Heather Phares, All Music Guide
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