Stone Sour Albums (2)
'Come What(ever) May'
Release Date 8/1/2006
Tracks 12
Label Roadrunner
See Album Tracklist and Review
What The Critics Say
What sets Stone Sour apart from others of their breed is the band's ability to create smooth, radio-friendly alternative metal songs while simultaneously not boring the people who have heard way too much from post-grunge groups. The secret to this lies in guitarist James Root's unique style and drummer Roy Mayorga's unyielding intensity. Root and singer Corey Taylor re-created Stone Sour after the success of Slipknot in the late '90s; the band was meant to serve as a more introspective, melodic, and creative outlet for them, while not disenfranchising the fans of Slipknot. Stone Sour are more fierce than most alternative metal groups, incorporating brash heavy metal into many of their songs. The band's aggressive self-titled debut was far more reminiscent of Slipknot, but Come What(ever) May is moving further and further away from the shock rock, rap-rock aspect that originally brought Slipknot into the mainstream. Taylor lets loose his nearly metal growl (which is nearly untouchable compared to most of his contemporaries) on occasion, but maybe not as often as he should. The album's better moments are felt when his relentless, vicious pipes -- coupled with distortion-heavy riffs and double bass drum -- forge their way through the immaculately produced sound. Come What(ever) May starts out strong with the bass drum-heavy "30/30-150." The song explodes out of the speakers; it's a solid metal start for an album that dips between alternative rock, heavy metal, and post-grunge. Unfortunately, the album isn't always interesting. Songs like "Through Glass" are your average run-of-the-mill alternative metal tunes, and after a certain point the album seems to have little new to offer. "sillyworld" follows along the same lines, but still has more in common with Alice Cooper's "Only Women Bleed" than a Godsmack song. Still, Come What(ever) May has plenty of shining moments and it rocks hard, channeling heavy metal and blending it with alternative melodies. It's an unyielding effort from a promising talent -- one that might just help save alternative metal from becoming deeply generic. ~ Megan Frye, All Music Guide
What The Critics Say
While Stone Sour formed as an avenue from which Slipknot vocalist Corey Taylor and guitarist Jim Root could unleash their vision without upsetting the legions of Slipknot followers, it is in fact a much more impressive statement than many bands of its ilk. Those who heard "Wait and Bleed" during its radio days should be well aware that Taylor has the ability to actually sing, and on this release he does, bringing forth noticeable influences from Alice in Chains and Soundgarden. Surprisingly, Taylor is quite adept at this vocal platform, and sings with conviction, while Root plays guitar as only he can, with determined intensity. While the lyrical content shares a myriad of similarities with Slipknot, Taylor comes across as much less infuriated and this allows the songs themselves to settle smoothly, yet motivate the listener to feel the emotion being squeezed out. Many should be familiar with "Bother," which first was found on the Spider-Man soundtrack in the spring of 2002, but the songs that stand out the most are tracks like "Orchids" and "Take a Number," which strike with surprising force for an alternative rock group. The most remarkable aspect of Stone Sour's self-titled debut is how the album grows on the listener with repeat plays. Where most hard rock albums wane after too many listens, Stone Sour instead gains strength, making this an excellent album and a much more accomplished effort than Slipknot drummer Joey Jordison's Murderdolls plaything. ~ Jason D. Taylor, All Music Guide
