Stephen Kellogg & the Sixers Albums (8)
What The Critics Say
Thirty-two-year-old folk-rock singer/songwriter Stephen Kellogg, along with his backup band the Sixers (who consisted of Keith Karlson and Brian "Boots" Factor upon the release of this album), has had his ups and downs, beginning with self-released efforts, working his way up to a major label and being dropped, and now fetching up with a well-established independent, Vanguard Records, for The Bear. His music is melodic pop/rock, usually featuring an acoustic guitar supported by an electric bass and drums, with other midrange instruments -- keyboards here, banjo there -- filling in the sound, all in the support of Kellogg's smooth tenor singing catchy choruses to story songs, at least some of which sound like they must be autobiographical. In particular, it would be surprising to hear that "Satisfied Man," on which Kellogg is only accompanied by that acoustic guitar, was fictional, since it is the first-person account of a happily married family man trying to explain to his wife and family (and to himself) why, if he's so satisfied, he also needs to hit the road regularly and be away from them so much. ~ William Ruhlmann, All Music Guide
'Stephen Kellogg and the Sixers'
Release Date 2/15/2005
Tracks 11
Label Universal
See Album Tracklist and Review
What The Critics Say
Listening to the major-label debut from Stephen Kellogg & the Sixers, you can understand why they have attracted a nice-sized following on the college circuit. They churn out straightforward rock & roll that's slightly rootsy, slightly soulful, and definitely tuneful. It's a sound that recalls the Counting Crows and the Wallflowers; however, Kellogg does offer two distinct differences that often stand as improvements over their influences. His romantic tunes about girls who hurt him or who got hurt by him aren't as angst-filled as the Crows' Adam Duritz's and his vocals have a much smoother timbre than both Duritz's and the Wallflowers' Jakob Dylan's. It all makes for music that's easy to digest, but also music that is a bit easy to forget. The band tends to traffic in midtempo tunes that are all well crafted, yet they also lack truly distinctive qualities. The quite listenable opening numbers, "Flower in Rain" and "You've Changed," aren't delivered powerfully enough to leave a lasting impression. The one full-out rocker, "Vegas," is a good change of pace; however, it too doesn't fully catch fire. Onetime Whiskeytown guitarist Mike Daly contributes some welcome pedal steel on a pair of tunes, "Blue Jean" and "See You Later, See You Soon." While the former is a particularly appealing country-rocker, the latter spotlights one of the band's shortcomings. Their verses typically are stronger than their choruses. In "See You Later, See You Soon" the verses hold some nice details but the chorus ("See you later, see you soon/See you later alligator, I will see you in the moon") comes off as too bland to grab one's ear or heart. The disc does possess several notable numbers. The Crows-ish rocker "Maria" is quite radio-friendly, while the two piano-based ballads ("Such a Way" and "Keep Me in Your Thoughts") are melodic and moving. There is nothing especially wrong with this record, just nothing to get really excited over. ~ Michael Berick, All Music Guide
