Sophie Milman Albums (3)
What The Critics Say
Some critics might dismiss Sophie Milman as simply another pretty female singer, yet with her third CD, she continues to show an adventurous spirit, tackling standards and obscurities while also forging ahead into pop. Retaining many of the musicians from her previous release, Make Someone Happy, the upbeat alto offers a hip take of Duke Ellington's long overlooked "Take Love Easy," exuding sex appeal and backed by guitarist Rob Piltch, bassist Kieran Overs, and percussionist Mark McLean (who also arranged it), with a brief solo added on soprano sax by PJ Perry. Pianist Paul Shrofel contributed the breezy bop vehicle "That Is Love," which showcases Milman in her best light. She soars in the brisk treatment of the old chestnut "Day In, Day Out," starting in a samba setting and switching to bop, featuring alto saxophonist Wessel Warmdaddy Anderson. Her ventures into pop remain a mixed bag. "I Can't Make You Love Me" has been recorded often, just not in a jazz setting. Milman is boosted by Steven MacKinnon's chart, which adds several horns in the background, so it ends up deeper, even if there is little risk-taking by the singer. Milman can't help but be influenced a bit by Joni Mitchell as she interprets the folksinger's "Be Cool," though she remains remarkably subtle in her approach. Less successful are her renditions of Bruce Springsteen's "I'm on Fire" and Paul Simon's "Fifty Ways to Leave Your Lover," both of which are hampered by their bland melodies and forgettable lyrics. But with this generally strong release, Sophie Milman remains one of the most promising jazz singers of her generation. ~ Ken Dryden, All Music Guide
'Make Someone Happy'
Release Date 6/18/2007
Tracks 15
Label JVC Victor
See Album Tracklist and Review
What The Critics Say
Sophie Milman exudes confidence in her second CD as a leader, though she draws material from a much wider range of music styles for this session. The singer is still a fine interpreter of standards and show tunes, offering a flirtatious "People Will Say We're in Love" as a solid opener and an imaginative setting of "Matchmaker, Matchmaker" that showcases harmonica player Gregoire Maret and pianist Paul Shrofel. The addition of a droning opening vamp in "Fever" updates Peggy Lee's hit while keeping its hypnotic flavor intact. Arranger Cameron Wallis is added on tenor sax for Milman's torchy interpretation of "Make Someone Happy," while he wrote the bossa nova "Reste (Stay)" in which she negotiates the multilingual lyrics flawlessly. The singer swings like mad in Shrofel's playful "So Long, You Fool." Some of Milman's choices from pop don't work quite as well. Composer Randy Bachman is an added guest for his "Undun" (a hit for the Canadian rock band the Guess Who), though it sounds bogged down. A number of Stevie Wonder's songs have become favorites of jazz musicians, but "Rocket Fever" quickly becomes tiresome and never shakes its pop flavor. Sophie Milman deserves high praise for not playing it safe and taking some chances for this outing, which is warmly recommended. ~ Ken Dryden, All Music Guide
What The Critics Say
Sophie Milman's debut release reveals a gifted young jazz vocalist who swings with a surprising degree of maturity. Though born in Russia, she has called Canada home for some time and is joined by some of the country's best jazz musicians. Milman isn't afraid to take a few chances and seems to be quite comfortable with her own voice rather than copying others, as young performers have a tendency to do. Her upbeat treatment of "I Can't Give You Anything But Love, Baby" is full of spirit, while she's clearly having fun in the somewhat campy 1960s-flavored arrangement of "My Heart Belongs to Daddy." Pianist Bill King (who is also one of Milman's two producers for this project) provides superb accompaniment to the singer in "I Feel Pretty," which evolves from its original setting into a lively bop setting featuring saxophonist Pat La Barbera. Among the newer compositions, Milman excels in her interpretation of the breezy "Lonely in New York'" (briefly showcasing guitarist Reg Schwager and violinist Lenny Solomon), though the bland pop song "Back Home to Me" sounds like something taken from a Norah Jones CD. Sophie Milman clearly has the ability to turn heads in the jazz world; all she needs is the opportunity to be heard. ~ Ken Dryden, All Music Guide
