Sonny Terry Albums (10)
Sonny Terry & His Mouth Harp

'Sonny Terry & His Mouth Harp'

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This rare December 1953 session (reissued on CD in 1999) was unusual for Terry in that his guitar accompanist was not Brownie McGhee, but Alec Seward, who had previously recorded as Guitar Slim in a duo with "Fat Boy" Hayes" (aka Jelly Belly). It's unusual only in the personnel, however. It sounds like typical Sonny Terry, as he works his way through original material, including standards like "John Henry" and other blues tunes like "In the Evening" (the song that would provide much of the basis for Robert Johnson's "Love in Vain"). You'd have to say that it's usually more interesting to hear Terry with his longtime partner McGhee than it is to hear him with Seward, but it's not terribly different. The trademark vocal and harmonica whoops, and hollers are in gear and running throughout the album, sometimes to exhilarating effect, as on the rapid "The Fox Chase (aka "Hound Dog Holler")." His lyrics get uncommonly specific on "Goodbye Leadbelly," a tribute to the then-recently deceased folk-blues legend, composed by "writer unknown." The recording engineer on the session, incidentally, was a young Jac Holzman, who had just started Elektra Records. ~ Richie Unterberger, All Music Guide

Backwater Blues

'Backwater Blues'

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What The Critics Say

Songs of whiskey, women, and money -- nothing was more important to the repertoire of this classic acoustic blues duo. Good relations on stage were not, but during this 18-tune club date at Sugar Hill in San Francisco, Terry and McGhee are in good spirits. The former's fingerpicking, good-time guitar strummin', and even-keeled singing, joined by Terry's frantic harmonica and frequent whoops and hollers were the epitome of this genre's style, and these two performing in their heyday. They do hits familiar to all like "One Bourbon, One Scotch, One Beer," "Key to the Highway," and "Careless Love," while changing up "Sittin' on Top of the World," making it "Climbin' on Top of the Hill." Advice songs include the poignant "My Father's Words," "(If You) Lose Your Money (Please Don't Lose Your Mind," and "Walk On." There's also a lone instrumental, "Playing With the Blues"; the title track identified by Terry as "Backwater Rising"; and occasionally call-and-response vocalizing as on "Climbin'" or harmony singing on "You'd Better Mind." The clarity of the recording and the singing is pure as the driven snow, with no distortion or compression. It's the way this blues should be heard. Lee Hildebrand's episodic liner notes relating the strained relationship between Terry and McGhee, and the tale of Barbara Dane's involvement in the Sugar Hill club is as important a story as the songs the duo sing. The words and music prove a last will and testament accenting this posthumous release, a companion to the Live at Sugar Hill Original Blues Classic CD. It's a must buy for those who treasure this type of no-nonsense porch-style get-down blues. ~ Michael G. Nastos, All Music Guide

Whoopin'

'Whoopin''

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The textbook charge usually levelled against Alligator sessions are that they're sanitized. You couldn't lodge that one against this set with a straight face; if anything, somebody turned Sonny Terry loose. It didn't hurt that Johnny Winter was around on guitar and piano, playing gritty blues with a passion. It didn't help that Terry didn't put any amplified muscle behind his harmonica, however. Otherwise, this is a strong session. ~ Ron Wynn, All Music Guide

Sonny Is King

'Sonny Is King'

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Though they'd never performed together previously, vocalist/harp player Sonny Terry and guitarist Lightnin' Hopkins hit it off famously when paired at Rudy Van Gelder's studio in October 1960. Their collaboration, which yielded "She's So Sweet" and "One Monkey Don't Stop the Show," among others, fills the A-side of this LP. The B-side was recorded a year later with Terry's longtime partner, guitarist Brownie McGhee. ~ Roundup Newsletter, All Music Guide

Sonny's Story

'Sonny's Story'

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What The Critics Say

Sonny's Story is an excellent showcase for Sonny Terry's talents, which sometimes went unheralded because they largely were showcased in the shadow of Brownie McGhee. Here, Terry is largely playing solo acoustic, with J.C. Burris joining in for harmonica duets every so often; Sticks McGhee and drummer Belton Evans also play on a few cuts. Unlike some solo acoustic blues albums, Sonny's Story is positively infectious. It's hard not to get caught up in Terry's shouts and boogies, and that's one major reason why this is among his best solo recordings. ~ Thom Owens, All Music Guide


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