Saviours Albums (2)
What The Critics Say
Say what you will about Oakland's Saviours. They're hardly what you'd call heavy metal innovators, they look and dress like unemployed auto mechanics, and their singer ain't the most melodious fellow in the world. But while the vast majority of their peers wax obsessively into minutely stylized sub-sub-sub-sub-genres -- be it metallic hardcore, neo-thrash, prog metal, metal-gaze, etc. -- Saviours just play heavy metal, period! 2008's Into Abaddon is their second full-length release (and first for Kemado Records), and while it doesn't level entire city blocks with quite the same seismic frenzy as High on Fire across the Bay, it comes damn close while simultaneously paying homage to Venom's drummer! (Well, the ancient Hebrew realm of the dead, anyway.) Suitably named opener "Raging Embers" establishes the orchestrated stylistic collisions embodied by the album as a whole: gothic mystical/historical lyrics; galloping, quasi-thrash velocity; weed-born, Sabbath-slow passages; the New Wave of British Heavy Metal's incomparably stripped-down aesthetic; and a dash of modern Mastodon-style riff complexities for good measure. Hear them wrought to perfection on album standout "Cavern of the Mind," which is as timeless a metal anthem as the new millennium has yet produced, and yielding oodles of undulating guitar histrionics on the title track and "Firewake Angel," both of which are reminiscent of like-minded Chicago metal revivalists Bible of the Devil. Then there's the bodaciously named "Mystichasm," which explodes from a staccato riff so fast and so fierce, any member of original genre architects like Maiden or Priest would throw their horns up in approval. And despite his aforementioned limitations as a vocalist, frontman Austin Barber handles his axe pretty damn well in conjunction with fellow guitarist Tyler Morris, rescuing both the borderline forgettable "Narcotic Sea" and the slightly meandering "Inner Mountain Arthame" (surely not a Mahavishnu Orchestra spoof?) with their riffs, solos, and twin harmony work. Oh yeah, and all of this was written by the drummer -- that's a new one! Hey, whatever works, and Into Abaddon sure does -- a fine effort. ~ Eduardo Rivadavia, All Music Guide
What The Critics Say
As if the extra "u" in their name weren't enough of a clue, the Saviours are a California band intent on resurrecting the power and glory of the New Wave of British Heavy Metal. There are some contemporary metal and stoner rock influences audible on Crucifire, sure, but the band's heart is clearly with Saxon, Iron Maiden, and those other sons of Motörhead who brought a hint of punk's energy to a previously stagnant metal scene. There's one major problem, however. The NWOBHM bands were the last to whom vocal chops were as important as instrumental chops. Bands took pride in having distinctive, technically adept singers with a lot of personality. In comparison, the Saviours have singer Austin Barber, who is undoubtedly a perfectly nice guy but unfortunately not a particularly good singer. His style is more of the post-hardcore hoarse shout, a musical style that has its place but which meshes uneasily with the elegant riffing on tunes like "Holy Slaughter" and "Heathen Eye." Crucifire is still an entertaining album for anyone with a fondness for this particular strain of metal, but it's not hard to hear how it could have been a lot better. ~ Stewart Mason, All Music Guide
