Saosin Albums (2)
'In Search of Solid Ground'
Release Date 9/8/2009
Tracks 13
Label Virgin
See Album Tracklist and Review
What The Critics Say
Fans waited three long years for California rock quintet Saosin to follow up their smash self-titled debut. There was the bizarre gap-filler Come Close in 2008, a collection of live tracks from their debut and acoustic demos of some of the same songs, which was either a record company prod or an exercise in greed. At 13 tracks clocking in at nearly an hour in length, In Search of Solid Ground is the true successor to Saosin. The band has learned how to be comfortable in a recording studio -- there are no less than four producers here; five tracks each were helmed by Chris Sorenson and Butch Walker, two by John Feldmann, and one by the team of Lucas Banker and Logan Mader. Musically, Saosin are still a post-hardcore band, though they've expanded their rock palette considerably. The songs structures have shifted, changed shape, and are crafted more carefully. "On My Own" contains virtually everything that established their alt-emo trademark, but while the opener, "I Keep My Secrets Safe," contains the speed the band is known for, it's so sonically spacious and melodically stretched that it walks a line between early October-era U2 and Coheed and Cambria with screamo thrown into the mix for measure. It rocks, though. Another standout is "The Alarming Sound of a Still Small Voice." Cove Reber reaches deep inside himself for a searing, emotionally taut vocal, as the guitars of Justin Shekoski and Beau Burchell try to bury him. The album closer, "Fireflies," might stun fans who haven't heard the band play this live. Over eight minutes in length, it's a slow, moody, atmospheric love song with plenty of ambient sounds falling in from the margins; it's led by the hypnotic bassline of Sorenson and a syncopated drum kit manned by Alex Rodriguez. This track has less than nothing to do with post-hardcore; it's a straight-up, free-flowing rock power ballad that begins to soar near the middle and moves to near silence before rebuilding itself and ending in near complete metallic chaos. In Search of Solid Ground, as the title suggests, is exactly what this album strives for, but it does so ambitiously, with little regard for Saosin's own history as a band. If anything, this is the sound of a band trying to establish a new identity for itself because it's outgrown the old one. It's chock-full of immediacy, energy, honesty, and naked emotion, with enough sheer rock & roll power to carry over the old fans, and win loads of new ones. ~ Thom Jurek, All Music Guide
What The Critics Say
The long wait is over. California's Saosin issued their debut EP Translating the Name in 2003. They already had a well-developed fan base for their unique, even enigmatic brand of post-hardcore screamo. The band, having undergone some personnel changes -- most notably singer Anthony Green's departure in 2004 and the enlisting of Cove Reber as his replacement -- also underwent a sonic change on their self-titled 2005 EP. That primer was a guidebook to the band's new sound. Their Capitol debut, produced by Howard Benson, who also plays keyboards and does minimal programming, is a much slicker and far more imaginative outing than the band's underground fans may appreciate. That's not to say it's not impressive. It is. Quite so. This quintet are fine songwriters, excellent musicians, and have actually taken their post-underground hardcore beginnings and turned them into something that may indeed further rock music itself. This is not an idle claim. The songs on this album are tight, finished, and full of unexpected twists and turns, varied dynamics, fine lyrics, and, most of all, they're surprising. The hard twin-guitar sound at the front drives a rhythm section that is always in the pocket. Justin Shekoski and Beau Burchell work symbiotically with one another. They twin riffs and single lines without ever devolving into guitar heroics. They play as a unit. Reber's beautiful high-pitched voice walks the line but never resorts to screaming, because he doesn't have to: his instrument is powerful enough to ride the top of the musical swirl. The rhythm section carries the cradle of all this innovation, never slipping or abandoning these songs to mere workmanship. Check the killer counterpoint leads on "Follow and Feel," and how drummer Alex Rodriguez takes the beat to the band inside the tune. When Reber enters with "Don't let them know you're watching their situation crumble..." his lyric is one of dislocation and the futile attempt to understand distance and dissolution. The killer, all-out rock riff in "It's So Simple" is beguiling as the song's dynamics and pace change three times inside of four minutes. That's the other beauty of this record; all but one track are under four minutes. The album flows from top to bottom; songs bleed into one another yet keep their distinctive identities. It's a strange comparison, but Saosin are as unique in their way as U2 were in their right from the beginning. Though they are seasoned road warriors, it's no mean achievement that a debut album carrying so much weight seemingly so effortlessly, is so utterly sophisticated and complete . Sure, Capitol will try to make them the next big thing, and maybe they should -- when's the last time you heard anything really new in rock music? "Bury Your Head" is the only track here that is a carry-over from Saosin's EP. Its woven textures, explosive singing, knotty basslines, and call and response vocals are chilling and utterly effective. Saosin walk that line between metal, indie rock, post-hardcore, and many other things. But that tautness is what gives their songs such power and ruddy grace. The album may garner the charges of "sell-out" from the underground, but musicians grow. In a relatively short time, Saosin has evolved into a smart, utterly talented and perhaps even visionary unit that is rewriting the book in the 21st century. They have delivered a debut album that is mature, truly original, that can garner the attention of those kids -- and hopefully, older adults who still care about rock -- from almost any side of the rock & roll spectrum. ~ Thom Jurek, All Music Guide
