Red Albums (2)
    Innocence & Instinct

    'Innocence & Instinct'

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    What The Critics Say

    Among the most anticipated rock releases of 2009, Innocence & Instinct ratcheted up the foursome's fierce attack with vivid musical imagery and more intensely pounding sonic dissonance. The band chalked up over 500 gigs on the road following their 2006 debut, earning tour spots with the likes of Papa Roach, Sevendust, Three Days Grace, Buckcherry, Puddle of Mudd, Staind, Seether, Kutless, Disciple, Third Day, and Switchfoot. In late 2007, the band's tour van crashed into a highway guardrail at 75 mph, landing sideways across lanes. Everyone miraculously survived, but not without enduring a bloody, hellish aftermath that ultimately fed the creative force behind the new album. Also drawing upon Dante's Inferno for inspiration, Innocence & Instinct goes deep inside the soul of man to explore the duality of man. And though it may not exactly be the first album to tackle this theme, it is easily one of the most explosive, hard-hitting attempts. Once again, Michael Barnes' ferocious vocals lead the attack, still able to slip at a moment from primal screaming to a controlled snarl and back again. Lead single "Fight Inside" drives home the point that this album expresses a heavyweight clash from the inside out. Above all, you get the feeling that this isn't just noise for noise's sake; that the intensity has meaning behind it. Fans who drove Red's debut over the quarter-million mark will find this effort even more intense and unstoppable. ~ Jared Johnson, All Music Guide

    End of Silence

    'End of Silence'

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    What The Critics Say

    Even though Red is technically a Christian-based alternative rock quintet, you wouldn't necessarily know this detail by listening to their debut album, End of Silence. Polished and ready for secular rock radio, Red produce fiercely passionate music influenced by contemporary bands like Linkin Park and Chevelle. Leaning closer to the latter, Red is far from a rap-rock outfit. But their use of textured backdrops and heavy, crunching riffs clearly brings to mind the atmosphere of many a Linkin Park song. For proof, look no further than the band's first single "Breathe into Me," which layers thick guitars and fiery strings into a song that sounds like a less beat-oriented "One Step Closer." Lead singer Mike Barnes doesn't have as expressive a voice as Chester Bennington (how many really do?), but he does a remarkably good job loading each song with powerful emotion -- from passionate singing to distraught shrieking -- to make up for the slightly derivative tone of the overall record. There is nothing here that hasn't already been done in some other form, but where other bands are just pissed off and jaded, Red clearly believe in every note played. They confront universal topics from their lives -- pain, loneliness, confusion -- but there's an underlying theme of redemption that keeps things from becoming just depressing. It's in these moments that the band's faith shines through; they're never overt about their Christianity -- listeners could easily assume Barnes is talking to a friend or lover, for instance, instead of God -- but for those that understand the context of his words and, simply, his relationship with Christ, the band's lyrics will ring even more meaningful. Red's addition of string sections and piano parts on most every song (and not just in delicate tracks like "Pieces" and "Already Over, Pt. 2") gives a nice ethereal edge to the band's otherwise intense and crashing rhythms. Altogether, End of Silence could just as easily storm the mainstream as take over the hearts of its primary Christian audience. ~ Corey Apar, All Music Guide


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