Raheem DeVaughn Albums (2)
'Love Behind the Melody'
Release Date 11/27/2007
Tracks 17
Label Jive
See Album Tracklist and Review
What The Critics Say
"The R&B Hippie Neo-Soul Rock Star" -- wait, isn't that Cody ChesnuTT? Or is that Van Hunt? Erykah Badu? Regardless, that's what Raheem DeVaughn is calling himself, and it's likely a catch phrase intended to gain some more of the attention the singer deserves. Despite reaching the Top Ten of the R&B/Hip-Hop Albums chart, 2005's The Love Experience didn't crack the Top 40 of the Billboard 200, and none of its excellent singles (including "Guess Who Loves You More" and "You") came near the Top 30 of any chart. By word of mouth and persistent rotation on "grown folks"-type R&B video programs, DeVaughn gradually developed enough of a following -- including vocal admirer Alicia Keys -- to make his follow-up a rather anticipated release. DeVaughn's new nickname is just one part of a subtly aggressive attempt at attaining further commercial appeal: Scott Storch, Chucky Thompson, Orthodox & Ransum, Kwamé, and Bryan-Michael Cox are all brought onboard to give Love Behind the Melody more of a mainstream R&B radio sound without making it seem like a blind stab at sales. Even "Customer," with its gently twisting, lullaby-like resemblance to J. Holiday's "Bed," and the anthemic "Woman" (an extension of "You"'s proud pro-woman theme, nominated for a Grammy prior to the album's release), are not likely to dismay those who are opposed to modern pop/R&B. What's more, both songs are convincingly "honor and do for you" in a selfless way, a major aspect that separates DeVaughn from nearly all of his contemporaries on the radio. In fact, as a whole, the album is much more "You're great" than "I'm great." Even the tracks that act more as mood pieces, such as "Desire" ("It feels so damn good to be used") and "Marathon" ("You make all my daydreams come true"), are full of gratitude, and they are destined to be slotted into many modern quiet storm playlists, leaving immediate and lasting impressions. This is a significant improvement over The Love Experience in every respect -- somehow displaying an increase in both modesty and ambition, as well as offering a more refined yet bolder set of material. Whether or not DeVaughn goes gold, you can bank on at least a couple major R&B artists going into the studio throughout the remainder of 2008 wanting to come out with something as hot and imaginative as this. ~ Andy Kellman, All Music Guide
What The Critics Say
In the time it takes to listen to Raheem DeVaughn's The Love Experience, from start to finish, you can also cycle twice through Prince's Dirty Mind and end up somewhere in the middle of a third play of "Do It All Night." DeVaughn does it until the tape runs out. His debut is a very long album -- 70 minutes, in fact, and it would still be too lengthy without the concluding eight-minute thank-you track. So, if there's one thing DeVaughn didn't learn from his mother's record collection, it's brevity. He did, however, pick up a lot of other things from the past, most of which are far more important to have. Vocally, he's not too far from Dwele, with smooth, sweet tones that often drift into an even sweeter falsetto, though he could use a little of his peer's lyrical subtleties. His voice immediately pulls you in, so the shortcoming isn't as much of a factor as it would be with a singer of lesser skill. Most of his inspirations dwell in the '70s, favoring spare arrangements and elegant string flourishes over dramatic bombast and piercing keyboard stabs. Through numerous highlights scattered across the disc, it becomes apparent that DeVaughn is remarkably creative and talented and should be watched. One does wonder, however, if he was allowed too much creative freedom for a newcomer. His boldness also creeps into "Until," where he removes Ron Isley's voice from the Isley Brothers' "Footsteps in the Dark" (!) and sings a rather heavy-handed and self-absorbed set of verses about his hardships. Perhaps he could have learned something from a song by another (unrelated) DeVaughn -- William DeVaughn's "Be Thankful for What You Got." And furthermore, why on earth would anyone want to toy with a perfect classic? [The Love Experience was initially released as a copy-protected CD, which may not register on some computers.] ~ Andy Kellman, All Music Guide
