Album Review: Quadron - Avalanche
Quadron have made some pretty big steps onto the American scene in the last few years, but they've received almost none of the credit for them as Quadron.
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Quadron have made some pretty big steps onto the American scene in the last few years, but they've received almost none of the credit for them as Quadron.
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The common denominator between LA-based duo Rhye (Hannibal and Mike Milosh) and Quadron (with Danish singer Coco Maja Hastrup Karshøj), the musician/producer and his music have about as much sex appeal as we can handle and still be a SFW site.
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It appears by year's end, Kendrick Lamar will have collaborated with just about everybody.
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The humming, infectious soul-inflected number is light, blithe and totally irresistible.
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A word often associated with the Millennial Generation is "lost."
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It's been a while, but the music hasn't stopped.
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Many turns of the calendar have occurred since we last heard from Quadron , but now they're back.
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In the case of the sultry soft-pop duo Rhye , that man is Robin Hannibal – which would make his musical counterpart, Chris Milosh, Oz. While it's Milosh's vocals we hear breathing so heavily into the microphone on tracks like 'The Fall' and who goes out on tour on behalf of Rhye, it's Hannibal who opts to stay home and focus on his work as a studio producer.
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Camden Town has long had the reputation of being one of the coolest places in London.
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Soul duo Quadron , comprised of singer Coco, 24, and producer Robin, 30, bid farewell to their friends and family in Copenhagen less than two years ago to follow their dreams of music stardom in L.A.
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Get ready for your new favorite song to be in Danish – countrymen (and woman) When Saints Go Machine and Quadron's Coco Malaika have doubled up on a massive, sweeping darkwave banger of a track, a cover of Danish pop star Xander's single "Hos Mig Igen." Coco's otherworldly vocals preside fabulously over WSGM's layered, spacey synths, but it's when they work together that the track goes to the next level – we're obsessed with that mesmerizing vocal and synth hocketing toward the end. Incredible.
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