Porno for Pyros Albums (2)
What The Critics Say
By the time Porno for Pyros issued a follow-up to their gold-certified, self-titled debut, 1996's Good God's Urge, bassist Martyn LeNoble had left the band (although he had already played bass on most of the album), replaced by ex-Minutemen bassist Mike Watt. The music was even more atmospheric than its predecessor, comprised almost entirely of laid-back compositions -- only a few tracks could be considered hard rock. Inspired by the beautiful Zuma Beach in California where the band's recording studio was located, the songs sound like the perfect soundtrack to a tranquil beachside setting. The free and easy feel of the first two tracks, "Porpoise Head" and "100 Ways," is comparable to Love and Rockets' more serene moments (L&R members Daniel Ash, David J, and Kevin Haskins actually guest on the former track), while the driving "Tahitian Moon" was an alternative radio hit. The beautiful acoustic ballad "Kimberly Austin" remains one of Perry Farrell's most personal lyrics, while Mike Watt's fluid basslines stand out on another highlight, the title track. Also of note were the guest spots by Red Hot Chili Peppers bassist Flea and then-Pepper guitarist Dave Navarro on "Freeway," which marked the first time Navarro and Farrell played together since their less-then-amicable split from Jane's Addiction in 1991. After the tour in support of Good God's Urge, Porno for Pyros went the way of J.A. and broke up. ~ Greg Prato, All Music Guide
What The Critics Say
Perry Farrell's first project since splitting up Jane's Addiction, Porno for Pyros' self-titled debut, was one of the most highly anticipated rock releases of 1993. Joining Farrell is ex-Jane's drummer Stephen Perkins, guitarist Peter DiStefano, and bassist Martyn LeNoble, and while the music of Porno for Pyros contains some similarities to Jane's, it turned out to be a more ethereal and psychedelic affair. Most noticeably absent are the monstrous guitar riffs -- DiStefano specializes more in textured guitar sounds (à la the Cure's Robert Smith, etc.), which puts more emphasis on Farrell's vocals and Perkins' drumming (who also adds exotic percussion to the proceedings). Also, Porno's compositions are far more succinct. Whereas Jane's were known to wander into mood-enhanced improv, most tracks on Porno for Pyros are under the four-minute mark, while Farrell's lyric-writing still alternates between train of thought and thought-provoking. The slightly melancholic ballad "Pets" was an MTV hit, as it lyrically touches upon the possibility of extraterrestrial life. A pair of tracks, "Cursed Female" and "Cursed Male," are sequenced back to back to create a brief epic (clocking in together at barely over seven minutes) that explores the pros and cons of both genders. Also featured is the funky "Meija," the hyperactive "Bad Shit," the ballad "Black Girlfriend," and the title track, which deals with the 1992 Los Angeles/Rodney King riots. While those expecting an instant classic like Nothing's Shocking and Ritual de lo Habitual were probably disappointed, Porno for Pyros remains an interesting musical detour for Farrell and co. ~ Greg Prato, All Music Guide
