Orgy Albums (3)
Vapor Transmission

'Vapor Transmission'

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What The Critics Say

In 1998, Orgy made an impressive entrance with their cover of New Order's "Blue Monday." Their follow-up single, "Stitches," was enough of a hit to give them the push they needed to remain mainstays on radio and MTV. With their second album Vapor Transmission, they return to deliver another set of electronic-laden rockers, but this time out they do so with slicker production and improved songwriting. Although proving to not be an album of innovation, what the sci-fi tinged Vapor Transmission does accomplish is showcasing more of the "pop" in Orgy's self-labeled "death pop" music by mixing an energetic blend of soaring singalong choruses, catchy hooks, layered guitars, and polished production techniques. Their signature guitar-synth drones are still present in the majority of the tracks, but this time out they share the limelight with Jay Gordon's improved vocal stylings and Ryan Shuck's more ambitious guitar work. Rather than repeating themselves or simply pairing heavy riffs with electro filler, there is a better sense of melody throughout Vapor's 13 tracks. One of the best examples of this is on "Opticon," a track with one of the most memorable choruses the band has delivered. Orgy has also raised the intensity level here. Mixing tones of Marilyn Manson, Gravity Kills, and even mentors Korn, they seem to be more comfortable experimenting with different dynamics, balancing delicate verses with thundering choruses, most notably on "Eva" and the album's first single, "Fiction (Dreams in Digital)." Although Vapor Transmission doesn't venture far from its roots in alt-metal and industrial rock, it is a worthy follow-up to 1998's Candyass and establishes Orgy as more than just a flash in the pan. [The initial shipment of albums sent out to stores contains a hidden track, located at 6:11 of track 13.] ~ Don Kline, All Music Guide

Candyass

'Candyass'

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What The Critics Say

It was only a matter of time before someone added obvious hooks and electronic smarts to the post-industrial roar of alt-metal. That's exactly what Orgy does on its debut album, Candyass. It's hard to call this stuff industrial, since its sensibilities are directly out of metal -- hard-hitting riffs, big hooks, and tight songwriting -- but since Orgy is living in the electronica age, everything is given a computerized surface, complete with processed guitars and thundering digital bits. It's a now sound, no two ways about -- it's of the moment, totally 1998, and that's why it's hard to actually judge its merits. Candyass has the intoxicating rush of a new sound, but it's hard not to feel like all of its pleasures are on the surface. Still, you take pleasures where you can get them, and Orgy offers more than expected on this promising debut. ~ Stephen Thomas Erlewine, All Music Guide


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