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Best Of: Polyvinyl Records

- Source: The Four Oh Five

If there are two things that will help keep the soul of independent record labels intact in a digital age of ever-diminishing returns, it's having impeccable tastes and the heart to stick by them whatever the financial consequences.

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Album Review: of Montreal – Daughter of Cloud

- Source: Consequence of Sound

The people in dorm rooms, or study halls, or even sand boxes right now who have yet to discover the Athens, GA band of Montreal are in an enviable position in terms of the amount of recorded work that awaits their attention, the ease in which they are able to access it, and, well, the revelation that comes when one first enters Kevin Barnes' kaleidoscopic universe, where laughter, sexuality, absurdity, isolation, and despair are virtually interchangeable, where conventions of genre and song structure are widely disregarded.

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Of Montreal - Daughter of Cloud

- Source: Drowned In Sound

If you're one of those who think that Kevin Barnes' recent output has been a descent into impenetrable self indulgence, resulting in incoherently scattershot records, then a collection of offcuts from a range of his creative incarnations over the last decade or so is likely turn you off before you've even heard it.

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Listen: of Montreal - “Feminine Effects”

- Source: Under The Radar Magazine

The new song, "Feminine Effects," turns over lead vocals to one of Kevin Barnes' musical friends Rebecca Cash. In an interview with Rolling Stone Barnes says "I wrote the song many years ago, and for a long time I was searching for the right girl to sing the lead vocals. I tried a bunch of different people before I discovered Rebecca Cash. She helped me realize the old school honky tonk vibe I was envisioning."

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