The Week In Music Writing: 2/17/13 – 2/23/13
Welcome to the second installment of The Week In Music Writing.
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Welcome to the second installment of The Week In Music Writing.
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L.A. punks No Age have long walked the uncomfortable line between punk rock and commerce — playing shoe company parties but making sure they also play DIY all-ages loft shows in the same cities, that sort of thing.
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California's much-maligned San Fernando Valley is primarily known by Angelinos for two things: strip malls and pornography.
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Before they morphed into sampler-toting, vaguely psychedelic dream-punks, No Age 's Dean Spunt and Randy Randall were plain-old punks, bashing out noisy, art-damaged songs in Wives.
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Near the end of a bristling, two-hour tribute in his honor at the Disney Concert Hall in Los Angeles, Bob Mould took the stage to note the irony of his life and music.
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This year marks the tenth anniversary of Post Present Medium , the label run by No Age 's Dean Spunt.
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Day two of the Pitchfork Music Festival is longer – three hours to be exact and the moment where I feel like I'm in the real meat of the festival.
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I'd like to think my Pitchfork Day 2 experience officially began while switching from the Blue Line to the Green Line, when the conductor leaned her head out the door and shouted over the intercom, "All male passengers PLEASE make sure you put your shirts on while you're on the train. PLEASE."
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There are few guarantees in life with one being when the Los Angeles, noise-punk duo No Age take the stage they will rip.
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The lineup for the 2010 edition of the Pitchfork Music Festival was heavily weighted towards the young bucks of independent music; this year, it's a more even-handed mix of familiar stalwarts and up-and-comers.
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