Nigel Kennedy Albums (8)
Blue Note Sessions

'Blue Note Sessions'

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What The Critics Say

Nigel Kennedy made quite a reputation for himself as a classical violin virtuoso, though he long expressed an interest in jazz prior to the making of this CD. A number of jazz veterans, including bassist Ron Carter, drummer Jack DeJohnette, pianist Kenny Werner and tenor saxophonist Joe Lovano (along with several others) are present and provide a stimulating group for Kennedy, who early on in the disc is comparable to Jean-Luc Ponty during the early stages of his career as a leader. But Kennedy seems a bit too conservative throughout much of the date, not taking the kind of chances one would expect of a jazz violinist during his improvisations. Another part of the problem due to the presence of some rather pedestrian material like Butch Cornell's bland funk vehicle "Sunshine Alley" (which adds organist Lucky Peterson) and the forgettable treatment of "Expansions," featuring Raul Midon vocal and Kennedy's bizarre use of digital delay on his instrument. Even Horace Silver's hard bop masterpiece "Song For My Father" doesn't reach his potential. Nigel Kennedy demonstrates clearly how hard it is to play jazz convincingly when it is not a major part of his regular playing schedule. ~ Ken Dryden, All Music Guide

Four Seasons

'Four Seasons'

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East Meets East

'East Meets East'

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What The Critics Say

As a classical violinist, Nigel Kennedy has always cultivated a very careful reputation as a rebel (scruffy beard, spiky hair, no bow tie) while making a comfortable living playing a generally pretty safe repertoire; audiences who wouldn't cross the street to hear genuinely difficult music by Elliott Carter or Michael Tippett could go listen to the T-shirted Kennedy play The Four Seasons and feel like they were on the cutting edge. Outside the classical arena, his projects have been a bit more interesting, and none has been more affecting than this eerily lovely collection of new compositions and folk tunes drawing on Polish and other Eastern European traditions. Teamed up with the Krakow band Kroke (violist and flutist Tomasz Kukurba, accordionist Jerzy Bawol, and string bassist Tomasz Lato), Kennedy delivers a set of tunes that are, by turns, dramatic, soothing, emotionally tormented, and romantically yearning. Lullaby for Kamila and One Voice are not only two of the loveliest performances of Kennedy's recorded career, they are also two of the most gently affecting compositions committed to tape in any genre in recent memory. Ajde Jano features a beautiful cameo appearance by the brilliant (and recently ubiquitous) singer Natacha Atlas, and Kukush showcases Kennedy's electric violin in a very sonically interesting setting. (As does T 4.2, though the latter is much less musically interesting than Kukush.) Highly recommended. ~ Rick Anderson, All Music Guide


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