Neko Case Albums (6)
What The Critics Say
Neko Case looks formidable on the cover of Middle Cyclone, brandishing a sword in one hand while crouching low on a muscle car's hood. It's mostly camp, of course -- the sort of superwoman image Quentin Tarantino might have used for Death Proof's ad campaign -- but it also draws contrast with the songwriter's previous albums, two of which featured moody shots of Case sprawled on the floor, ostensibly knocked out. Middle Cyclone isn't the polar opposite of Blacklisted's downcast Americana; there are still moments of heartbreak on this release, and Case channels the sad cowgirl blues with all the rustic nuance of Patsy Cline. Multiple years in the New Pornographers' employ have considerably brightened her outlook, however, and Middle Cyclone balances its melancholia with some of the most pop-oriented choruses of Case's career. "I'm a man-man-maneater," she asserts during "People Got a Lotta Nerve," a snappy nugget of harmonies and jangled guitar that helps strengthen her Mercury Cougar-riding cover pose. The mammal metaphors continue with "I'm an Animal," where a coed choir supports the melody with a wordless, hooky refrain. Such songs are still rife with earth tones, perhaps preferring the Southern comfort of roots music to the sparkle of Carl Newman's power pop, but their venture into brighter territory is both assured and tuneful. Of course, Neko Case already explored the animal world with 2006's Fox Confessor Brings the Flood, and Middle Cyclone devotes more time to weather, nature, and the stormy atmospherics of her backup band. There are few voices as hauntingly beautiful as Case's alto, a siren call fashioned from country's might and pop's melody, and she trains those tones over a number of semi-ballads, from the cinematic "Prison Girls" (a country-noir love letter to someone with "long shadows and gunpowder eyes") to the sparse title track. She does a surprise duet with chirping birds during "Polar Nettles" -- a result of the pastoral recording sessions, which took place in a barn -- before offering up a cover of Sparks' "Never Turn Your Back on Mother Earth," which very well may be the album's mission statement. There's still room to tackle love from the perspective of different characters -- a man in "Vengeance Is Sleeping," a disbeliever in "The Next Time You Say Forever," a smitten wind vortex in "This Tornado Loves You" -- but nature remains at the forefront of Middle Cyclone, whose 14 songs conclude with a half-hour field recording of chirping crickets and frogs. Moody, cinematic, and engaging throughout, Cyclone is another tour de force from Neko Case, if not as immediately arresting as Fox Confessor. ~ Andrew Leahey, All Music Guide
'Fox Confessor Brings the Flood'
Release Date 3/6/2006
Tracks 12
Label Epitaph
See Album Tracklist and Review
What The Critics Say
Neko Case hasn't had much need to prove her credentials as a major artist since making her solo debut with 1997's The Virginian, but she's been refining her skills in the recording studio on each subsequent release, and with 2006's Fox Confessor Brings the Flood she's fashioned an album that can cautiously be called a masterpiece. As always, Case's voice, an instrument of impressive strength, grace, and expressive power, is the star of this show, and she's never sounded better than she does here, but what sets this apart from her other fine work is her growth as a songwriter and producer. Case wrote or co-wrote all 12 tracks on Fox Confessor Brings the Flood, and her tales of failed friendship, faith stretched to the breaking point, and love that causes as much ache as comfort are subtle and expressionistic but deeply evocative, conjuring images and feelings that linger long after the album has ended, especially the spectral "Star Witness," the moody yet romantic "That Teenage Feeling" and "Hold on, Hold On," and the darkly beautiful closer, "The Needle Has Landed." And Case and her co-producer, Darryl Neudorf, have assembled a superb cast of musicians to accompany these songs, among them members of the Sadies and Calexico as well as Garth Hudson of the Band, Howe Gelb from Giant Sand, and Kelly Hogan. Together they've sculpted a dozen elegant sonic landscapes that are beautiful and richly detailed while meshing with the moody textures of the songs in their open space and unwillingness to crowd either the singer or the other players. The cumulative effect mirrors both the beauty and the sadness that lurks within the human heart, and Fox Confessor Brings the Flood is a rich, mature, and deeply satisfying piece of music that deserves and demands attention -- if this isn't Album of the Year material, it's hard to say what is. ~ Mark Deming, All Music Guide
'The Tigers Have Spoken'
Release Date 11/8/2004
Tracks 12
Label Epitaph
See Album Tracklist and Review
What The Critics Say
In the press release that accompanies Neko Case's 2004 live album, The Tigers Have Spoken, the singer (and her record company) insist quite strongly that this isn't meant to be a stopgap release on the way to her next studio project. To be blunt, Case protests a bit much on this issue -- an album featuring two re-recorded originals and five covers out of 11 tracks is carrying an awful lot of padding for something intended to be a proper "new" release. But if The Tigers Have Spoken is really intended to keep fans occupied until Case finishes her next project, she thankfully hasn't abandoned her standards of quality control along the way, and delivers some splendid music on this disc. Recorded over the course of three gigs in the spring of 2004, The Tigers Have Spoken features Case backed by fellow gifted Canadians the Sadies, whose web of deep, lonesome twang fits Case's repertoire like a glove, with Jon Rauhouse sitting in on pedal steel with his usual grace and flawless feel, and Kelly Hogan and Carolyn Mark contributing backing vocals that are little short of glorious. But the reason Neko Case is headlining over this stellar cast is because she has one of the finest voices to emerge from pop music in recent memory, and she's in firm command of her instrument on these performances. Allowing herself more room to rock than on 2002's Blacklisted, Case rips it up on covers of classic tunes by Buffy Sainte-Marie, Loretta Lynn, and the Shangri-Las, and "The Tigers Have Spoken" and "Hex" show Case isn't saving all her good new songs for the next album. Maybe Case is biding her time with The Tigers Have Spoken, but she sure isn't wasting it -- if it's a relatively minor effort, it still sounds like the work of a major artist, and there's lots of pleasure to be found in it. ~ Mark Deming, All Music Guide
What The Critics Say
While the spare and often haunted sound of Neko Case's home-recorded Canadian Amp EP seemed at the time like a late-night detour from alt-country's leading songbird of the North, listening to Case's first full-length album following Canadian Amp suggests it may have been the first step along a new and different path for her. Blacklisted is a considerably darker and more understated affair than The Virginian or Furnace Room Lullaby, and its sometimes stark, sometimes elegant 3 a.m. sound is informed as much by pop, jazz, and blues flavors as the country & western-slanted melodies of her first two solo albums. Which isn't to say Blacklisted is a total departure for Neko Case; her big, bold, but silky smooth voice is still a thing of beauty, and if anything, she's still learning more remarkable things she can do with it, with the result being some of her finest and most insightful performances to date. And Case continues to grow as a songwriter; penning most of the album all by herself, Case is a lyricist willing to answer to both her heart and her head, and she had a fine ear for a melody to boot. With Joey Burns and John Convertino of Calexico, Howe Gelb of Giant Sand, Dallas Good of the Sadies, and Kelly Hogan all contributing to Blacklisted, Neko Case has crafted an album whose quiet drift only adds to its power; it's hard to say if hanging out with Nick Cave on tour had much of an influence on her, but this disc sounds a bit like Case's version of The Boatman's Call, a personal exploration of the heart and soul that proves sad and beautiful can often walk hand in hand. Highly recommended. ~ Mark Deming, All Music Guide
'Furnace Room Lullaby'
Release Date 1/1/2000
Tracks 12
Label Bloodshot
See Album Tracklist and Review
What The Critics Say
It would be easy to call Neko Case alt-country's answer to k.d. lang; after all, they're both from Canada, both came into country music through artier pursuits, and both blend trad-style twang with a modernist lyrical perspective. But Case also has a couple more important things in common with lang -- she has a superb voice that's as big as all outdoors, and there's nothing at all ironic about her love for the luxurious sadness of classic country & western. Case fronts a dramatically revamped line-up of Boyfriends on her second solo album, Furnace Room Lullaby, and it's even stronger and more impressive than her fine debut set, The Virginian. Case co-wrote all of the album's 12 songs, and the material strikes a more deeply personal note this time out, from the busted romance of "Set Out Running" and "We've Never Met" to the road-weary and unsentimental nostalgia of "Thrice All American" and "South Tacoma Way" (not many artists could put a lump in your throat at the notion of a Wal-Mart replacing the old downtown, but Case does it here). Case's vocals are superb from front to back, as smooth and fiery as good brandy, and her revolving circle of musicians (including Ron Sexsmith and Kelly Hogan on backing vocals) are subtle and beautifully evocative, balancing sorrow and good times with an easy grace. Dozens of rock artists have wrung cheap laughs from the sound and feel of classic country, but Neko Case understands the honest emotions and working-class poetry Loretta Lynn and Dolly Parton brought to their best music, and if her own take on such things is a bit different, Furnace Room Lullaby makes clear how deeply she cares for this music, and confirms her status as one of alt-country's strongest artists. ~ Mark Deming, All Music Guide
What The Critics Say
Neko Case's solo debut is a delightful collection of heartfelt originals and vibrant covers ranging from traditional country fare (Ernest Tubb's "Thanks a Lot," Loretta Lynn's "Somebody Led Me Away") to more eclectic material (Scott Walker's "Duchess"); the highlight is a rip-snorting rendition of the Everly Brothers' "Bowling Green," a duet with Zumpano's Carl Newman. ~ Jason Ankeny, All Music Guide
