Mingus Big Band Albums (10)
'Live in Tokyo at the Blue Note'
Release Date 9/26/2006
Tracks 8
Label Sunnyside
See Album Tracklist and Review
What The Critics Say
Nearly 15 years after its formation, the Mingus Big Band set up its microphones at Tokyo's Blue Note Club on New Year's Eve 2005-2006 and did what it's been doing so admirably all along: paying homage to its inspiration in a way that would have made him proud. Fourteen members strong, the ensemble for the event, most of them fairly recent additions, included a veteran of Charles Mingus' own Tokyo concerts of 1976, trumpeter Jack Walrath. For the occasion, the band looked back even further though, to the '50s, rolling out and updating the arrangements of a handful of numbers Mingus wrote in his early years: "Bird Calls," the fiery opener "Wham Bam," "Celia" spotlighting alto saxman Craig Handy, and "Prayer for Passive Resistance," which producer Sue Mingus (Charles' widow), notes was arranged by tenor saxist John Stubblefield shortly before his death in 2005. With three trumpets, five saxmen (including tenor, alto, and baritone), and three trombones, the program is naturally heavy on brass-fueled arrangements, with plenty of room given over for solo blowing. "Bird Calls," the tribute to Charlie Parker, features rousing turns from baritonist Ronnie Cuber, tenor Seamus Blake, and altos Craig Handy and Abraham Burton, while the easy-swinging "Free Cell Block F" opens up space for trombonists Conrad Herwig and Ku umba Frank Lacy, Handy moving over to flute, and Cuber returning on baritone. The live set (officially titled "Live in Tokyo at the Blue Note, 2005") avoids Mingus' more difficult material in favor of accessibility, but it's consistent with the other fine work this "ghost" band has done since its inception. ~ Jeff Tamarkin, All Music Guide
What The Critics Say
As usual, the Mingus Big Band is in exuberant form throughout their performances on this CD, most notably on definitive versions of "Song with Orange" and "Orange Is Color of Her Dress," both of which were arranged by the late John Stubblefield. A bit different is that two songs apiece are played by Mingus Dynasty (a septet taken out of the big band) and the Mingus Orchestra. The latter, in addition to six bandmembers, adds French horn, bass clarinet, bassoon, and guitar. But although those two smaller groups have their moments, there is nothing that can match the Mingus Big Band at its finest. The key soloists include trumpeters Jeremy Pelt, Randy Brecker, and Jack Walrath, pianist George Colligan, trombonists Conrad Herwig and Ku umba Frank Lacy (who sings on "Paris in Blue"), tenor saxophonists Seamus Blake and Abraham Burton, baritonist Ronnie Cuber, and altoists Miguel Zenón and Alex Foster although anyone in this band can solo with the best, including bassist Boris Kozlov. The Mingus Big Band has been one of the most exciting of all big bands since its formation and I Am Three is another dazzling effort. ~ Scott Yanow, All Music Guide
'Tonight at Noon: Three of Four Shades of Love'
Release Date 4/9/2002
Tracks 10
Label Dreyfus
See Album Tracklist and Review
What The Critics Say
Tonight at Noon: Three of Four Shades of Love marks the 80th anniversary of Charles Mingus' birth and is the seventh recording in a series that pays tribute to his music. The CD features the talents of the Mingus Big Band, a 14-piece rotating ensemble launched in 1991 by the widow of the composer/arranger/bassist, Sue Mingus. The thematic focus of the CD is love and its ten love songs also mark the debut of the Charles Mingus Orchestra, which is featured on four of the songs. The previously unreleased "Love's Fury" features a stellar arrangement by Syl Johnson as well as the very lyrical compositions Charles Mingus never quite received recognition for. Known primarily for his aggressive bebop basslines, these rarely performed compositions are dramatically and beautifully voiced by soloists -- trumpeter Randy Brecker and Craig Handy on "Love Is a Dangerous Thing" and sung emotively by Elvis Costello on his newly penned lyrics for "Invisible Lady," and "Ku-umba" Frank Lacy on the blues-drenched "Black Saint & Sinner Lady." Best bets are the nine-minute "Passions of a Woman Loved" for its pure entertainment and swing value; the four orchestra pieces beginning with the beautiful ballad "Noon Night," a piece originally orchestrated by Günter Schuller for the 1989 Epitaph project of concerts; the title track "Tonight at Noon" for its horn arrangements and upbeat solos from Alex Sipiagin and drummer Jeff "Tain" Watts; the samba arrangement of "Eclipse," which makes this song a delight and a reason to keep listening; and Elvis Costello's passionate new version of "Invisible Lady." Boris Koslov and Andy McKee bring their bass lifestyles into each song with the spirit of a live stage performance and allow listeners to revel in their chord positions. This tribute tops previous efforts due to the inclusion of the new Charles Mingus Orchestra and Sue Mingus' tender focus on the gentler side of an artistic genius. A must-have for Charles Mingus enthusiasts. ~ Paula Edelstein, All Music Guide
What The Critics Say
The MBB has become the most important and virile "ghost band" of them all. Their roaring, swinging spirit echoes the late bassist/composer/bandleader in ways that compare favorably to when Mingus was alive. The musicianship, rotating as it tends to, is consistently and outrageously outstanding, the new arrangements of classic Mingus tunes are fresh and vibrant as ever, and solos absolutely riveting. For this time around the band includes lead trumpeter Earl Gardner, lead alto/soprano saxophonist Alex Foster, and prominent soloists include tenor saxophonists Mark Shim, Seamus Blake, and John Stubblefield; trumpeters Randy Brecker and Alex Sipiagin; baritone saxophonist Ronnie Cuber; trombonist Conrad Herwig; alto saxophonists Bobby Watson and Vincent Herring; and arrangements by Michael Mossman, Sy Johnson, Howard Johnson, and Steve Slagle. Mingus himself speaks during the introductory "It Was a Lonely Day in Selma, Alabama," then the band chants and claps to "Freedom," certainly a prolific tone setter. "Haitian Fight Song" has bassist Boris Kozlov leading the angst-riddled charge, the piece played to perfection. The classic ode to Lester Young "Goodbye Pork Pie Hat" is accented by tenor saxophonist Seamus Blake's patient, poignant solo and the band's pristine reading of Sy Johnson's new chart. "Don't Let It Happen Here," with its tango-flavored fanfare and son Eric Mingus' recitation, rivals the original. "Meditations for a Pair of Wire Cutters" has all the dynamic stop-start Mingus traits, "Pussycat Dues," is a pretty straight by comparison blues, "Oh Lord, Don't Let Them Drop That Atomic Bomb on Me" has Eric Mingus returning on the slow blues that still has relevance today as he shouts "don't let 'em drop it, stop it, be-bop it," and the 16-minute finale "Little Royal Suite" is so Ellingtonian in flavor, a full-bore swinger that lets the band, especially soloists Sipiagin, Stubblefield, and Herring running wild out of their cages. To interpret Mingus' music so faithfully and with such great authenticity and zeal is not an easy task. Another triumph for this ensemble, easily a Top Five jazz album of 1999, an essential purchase. Much more could be written or said, but Mingus and the band speak much louder than words. ~ Michael G. Nastos, All Music Guide
What The Critics Say
Que Viva Mingus! is an album dedicated to Mingus' considerable output of Latin-influenced jazz. The selections here include well-known Mingus compositions like "Los Mariachis," "Dizzy Moods," "Ysabel's Table Dance," and "Cumbia and Jazz Fusion," as well as some more obscure titles like "Slippers" and "Moods in Mambo," the album's oldest number, dating from 1949. Among the standout soloists are Randy Brecker on trumpet, John Stubblefield on tenor sax, Steve Slagle on soprano and alto saxes, Ronnie Cuber on baritone sax, and Dave Kikowski on piano. This is exciting, joyous, raucous, and still modern-sounding music, as fresh and challenging as the day it was written. And you can even dance to some of it. ~ Joel Roberts, All Music Guide
What The Critics Say
Having exhausted most of the late bassist's best-known songs, the Mingus Big Band emphasizes obscurities (such as "Sue's Changes," "Children's Hour of Dream" and "Chair in the Sky"), along with later-period work, on their third release, Live in Time, a double CD. The orchestra really digs into the complex material, and they perform Mingus' almost impossible-to-play originals with joy, swing and constant excitement. Among the many all-stars on this fascinating and highly enjoyable set (all of whom are featured) are trumpeters Randy Brecker, Philip Harper and Ryan Kisor, trombonists Frank Lacy, Robin Eubanks and Britt Woodman, altoists Gary Bartz and Steve Slagle, Seamus Blake, Mark Shim and John Stubblefield on tenors, Ronnie Cuber or Gary Smulyan on baritone and Kenny Drew Jr. or John Hicks on piano. The gloriously overcrowded ensembles, the explosive solos and the spirit of Mingus are three of the many reasons to acquire this memorable effort. ~ Scott Yanow, All Music Guide
What The Critics Say
The Mingus Big Band had been together four years when they recorded this set while on a European tour. The musicians had mastered the great bassist's music, resulting in versions of a variety of Mingus classics that rank with the originals. The largely all-star 15-piece band includes such names as trumpeters Randy Brecker, Phillip Harper and Ryan Kisor, trombonist Frank Lacy, baritonist Gary Smulyan, tenor saxophonists Craig Handy, John Stubblefield, and Chris Potter, and pianist Kenny Drew, Jr. Each of the nine performances are exciting, both in the overcrowded ensembles and the solo statements, with the highlights including "Reincarnation of a Lovebird," "Fables of Faubus" (featuring Harper and altoist Steve Slagle), an explosive "Hog Callin' Blues" (showcasing John Stubblefield's highly expressive tenor), and "Started Medley" (based on "I Can't Get Started"). One can understand, listening to this single disc, why the Mingus Big Band began winning polls as jazz's top orchestra shortly afterwards. ~ Scott Yanow, All Music Guide
'Nostalgia in Times Square'
Release Date 1/1/1993
Tracks 10
Label Dreyfus
See Album Tracklist and Review
What The Critics Say
There have been many attempts to revisit the music of Charles Mingus ever since his death in 1979 (with several of the groups being called Mingus Dynasty), but this is by far the most successful of all the Mingus tribute albums. The 20-piece Mingus Big Band is an all-star unit comprised of mostly younger musicians who have spent several years really studying and getting inside the great bassist's music. The band's debut CD has such spirited soloists as baritonist Ronnie Cuber (who introduces "Nostalgia in Times Square" with a memorable story of his first encounter with Mingus), trumpeters Randy Brecker, Ryan Kisor, and Jack Walrath, trombonists Art Baron, Frank Lacy, and Dave Taylor, altoist Steve Slagle, tenors Chris Potter, Craig Handy, and John Stubblefield, and pianist Kenny Drew, Jr., among others. The ten Mingus compositions are all given memorable treatments, particularly "Moanin'," the witty and somewhat nutty "Don't Be Afraid, the Clown's Afraid Too," and "Weird Nightmare." The new arrangements by Sy Johnson, Jack Walrath, and Ronnie Cuber are quite crowded and very much in the spirit of Mingus. This was one of the top recordings to be released in 1994 and is essential for all serious jazz collections. ~ Scott Yanow, All Music Guide
What The Critics Say
There have been many attempts to revisit the music of Charles Mingus ever since his death in 1979 (with several of the groups being called Mingus Dynasty), but this is by far the most successful of all the Mingus tribute albums. The 20-piece Mingus Big Band is an all-star unit comprised of mostly younger musicians who have spent several years really studying and getting inside the great bassist's music. The band's debut CD has such spirited soloists as baritonist Ronnie Cuber (who introduces "Nostalgia in Times Square" with a memorable story of his first encounter with Mingus), trumpeters Randy Brecker, Ryan Kisor, and Jack Walrath, trombonists Art Baron, Frank Lacy, and Dave Taylor, altoist Steve Slagle, tenors Chris Potter, Craig Handy, and John Stubblefield, and pianist Kenny Drew, Jr., among others. The ten Mingus compositions are all given memorable treatments, particularly "Moanin'," the witty and somewhat nutty "Don't Be Afraid, the Clown's Afraid Too," and "Weird Nightmare." The new arrangements by Sy Johnson, Jack Walrath, and Ronnie Cuber are quite crowded and very much in the spirit of Mingus. This was one of the top recordings to be released in 1994 and is essential for all serious jazz collections. ~ Scott Yanow, All Music Guide
