Michael Burks Albums (4)
What The Critics Say
Michael Burks' third release on Alligator Records, Iron Man, is as close to being a live album as you can get from a studio performance. This could be attributed to Burks using his seasoned road band on this date instead of the Memphis studio musicians used previously on Make It Rain and I Smell Smoke. Alongside Burks' searing Flying V strut, Wayne Sharp's greasy Hammond B-3 dominates this set, reveling in soul and rock influences, including a cover version of Free's "Fire and Water," a definite nod to the blues-rock audience Burks has gained over his 30-plus years on the road. While Iron Man is an overall inspired modern electric blues disc, a few missteps hamper the session. "Ashes in My Ashtray," penned by Chicago bluesman Jimmy Johnson, would have made a better instrumental in this particular case, as the lyrics get in the way of an intense Burks guitar performance. "Don't Waste My Time" is a pleasant enough midtempo track, but falls by the wayside compared to the gritty blues of "Changed Man" and "Love Disease." As on previous releases, Burks' explosive guitar solos are the most notable aspect to this enthusiastic, if somewhat predictable, outing. ~ Al Campbell, All Music Guide
What The Critics Say
A continuation of the sound established on his Alligator debut, I Smell Smoke is even more impressive than its much-heralded predecessor. While vocally Michael Burks still invites comparison to Albert King, especially on gospel-fried ballads like "Lie to Me" (the Flying V guitar he sports on this album's cover shot further reinforces the similarities between the two artists), his guitar work has become more electrified and confident. With a tone sounding at times like Eric Clapton's psychedelic work in Cream and a rugged four-piece band supporting him, this is a tough, uncompromising contemporary blues/blues-rock/R&B album that doesn't pull punches. Co-produced and mixed by veteran Jim Gaines, the sound is professional but not polished, with Burks' strong persona commanding attention. However, the songs -- which are far above average -- are as important as the performance. Mostly written by outside sources, Burks avoids the crowd-pleasing covers that populate his live shows, instead digging into obscure tunes such as Latimore's "Let the Doorknob Hit You," delivering them with his gutsy punch. His playing often takes on a Buddy Guy-styled intensity, with leads that reach out of the speakers, wrapping around and reeling you in. Even the slow blues tracks are played full-bore, but the closing "Snake Eggs," with just guitar and Billy Gibson's fiery, overdriven Little Walter-styled harmonica, shows that Michael Burks doesn't need help to create all the smoke he wants. ~ Hal Horowitz, All Music Guide
What The Critics Say
After nearly 20 years as a performer, Michael Burks finally issued this debut disc, and his years of practical blues experience are evident on every track. While some of the guitar pyrotechnics may be more technique than substance, it cannot be denied that this fellow can tear up his ax. He sets the stakes on the muscular opener, "Hit the Ground Running," and maintains the intensity level through moodier tunes like "Beggin' Business." While his vocals are not stellar, he has a rich, gritty quality to his singing that is nicely matched to his guitar playing. ~ Tim Sheridan, All Music Guide
