Marvin Hamlisch's first feature film score -- written while he was still a college student -- remains one of the great debuts in soundtrack history: a work of remarkable maturity, 1968's The Swimmer is rich in contrast and scope, communicating the film's uncommon emotional complexity in stunningly clear detail. Hamlisch proves a master of both style and mood, shifting effortlessly from the poignant simplicity of the main theme to the effervescent jazz cut "Easy Four/Bubbles" to the soaring orchestral flourishes of "Hurdles." Like the new generation of filmmakers who redefined American cinema in the late '60s and early '70s, Hamlisch achieves a note-perfect balance between tradition and innovation, acknowledging the past masters of movie music even as he expands the parameters of the form. Film Score Monthly's superlative reissue includes excellent liner notes and a series of stills from the film. Highly recommended. ~ Jason Ankeny, All Music Guide
The soundtrack to the Paul Newman-Robert Redford blockbuster The Sting popularized Scott Joplin's classic ragtimes for a new generation, thanks to Marvin Hamlisch's ingenious arrangements and orchestrations. Joplin's brilliance takes the forefront, which is the way it should be, but it's easy to underestimate what Hamlisch achieved with his orchestrations. His incidental music fit the period and Joplin's ragtimes perfectly, and the arrangements of Joplin's works are faithful to the originals while opening them up for new audiences. And that's why the soundtrack feels at once timeless and fresh, which is quite a compliment indeed. ~ Robert Lovering, All Music Guide