Leela James Albums (2)
Let's Do It Again

'Let's Do It Again'

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What The Critics Say

For adult contemporary R&B fans, it was disheartening that a vocalist as talented as Leela James went almost four years before releasing a follow-up to her flawed but promising debut. Coming into her second album with the knowledge that it is part of the Shanachie label's extensive series of all-covers sets, predominantly the province of artists twice James' age who are on album number ten or 20 instead of two, gauging the level of expectations is tricky. On one hand, it is frustrating that James' second album, after all this time, contains no original songs; on the other, it should be a loose, no-fuss affair, less measured than A Change Is Gonna Come and more like James' well-regarded live show. The latter, thankfully, is very much true. James' selections are mostly inspired, containing some natural (if obvious) material -- like the album's bookends, Betty Wright's "Clean Up Woman" and the Staple Singers' "Let's Do It Again" -- and some others that are bound to raise some eyebrows, just from seeing the titles. Womack & Womack's gently swinging "Baby I'm Scared of You" is a highlight, despite the absence of a sparring partner, which lends it a tone that is more serious than the Womacks' typically playful original. Phyllis Hyman's "You Know How to Love Me," perhaps the boldest inclusion (written and recorded when Mtume/Lucas and Hyman were at the peak of their powers), gets a faithful look, proving that James should do free-spirited and uptempo material more often. "I'd Rather Be with You" (Bootsy's Rubber Band) could use more sleaze and Bobby Womack's "Nobody Knows You When You're Down and Out" lacks some necessary unease, and it would have been a nice twist for James to tackle something from the last 25 years, but overall, Let's Do It Again is one of Shanachie's best all-covers discs. May James find a support system that allows her to record albums of new material every other year (or so) from here on out. ~ Andy Kellman, All Music Guide

A Change Is Gonna Come

'A Change Is Gonna Come'

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What The Critics Say

"Music," the first song and lead single from Leela James' first album, bemoans the death of music. She reminisces about Aretha, Gladys, Tina, and Chaka, and asks, "Can we just put the thongs away?" Her argument is flawed and tired. All four inspirations released new material during the early 2000s, and James is the latest in an extended line of artists, stretching from American Idol to any anonymous keyboard lounge on the East Coast, claiming to rescue real music. James should turn off BET and go to a record store: issue solved. The remainder of A Change Is Gonna Come -- named after the Sam Cooke song, covered here -- isn't nearly as nauseating, thankfully enough, even if it retains a nostalgic tint. James has the stature of a woman who should possess a squeaky voice, but she sings with demonstrative grit. More importantly, she doesn't see her inspirations merely as artists to mimic; she sees how they learned from the past and applied it to the present. The past is built upon (if only a little), rather than simply revisited. Kanye West, Raphael Saadiq, Chucky Thompson, and James Poyser are in on the action, giving James the kind of apt support she could've only imagined prior to recording the album. There's plenty of thematic range, whether there are blue lights in the basement, tears on the pillow, sweat on the dancefloor, or sun showers on the porch. Hopefully listeners won't hear all those names during "Music" and get the idea to listen to Lady Soul or Ask Rufus instead. ~ Andy Kellman, All Music Guide


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