Like, Omigod! Digging Through the ’80s Pop Culture Box, Part 8
Two "legit" songs, a TV show theme and two songs I consider novelties.
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Two "legit" songs, a TV show theme and two songs I consider novelties.
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Yes fans joined in a celebration of Peter Banks' life after the guitarist passed last month, and dug into a pair of talks with Jon Anderson as the founding vocalist explored the band's shared legacy.
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Dave Haskell is back, which is undoubtedly significant news for longtime followers of the San Francisco Bay Area's jazz and blues scenes.
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There's a reason these guys have fronted countless recordings, even while appearing as first-call sidemen with everyone from Miles Davis to Steely Dan to Joni Mitchell.
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Back in high school while my buddies were air guitaring to Led Zeppelin, Boston and Lynard Skynard, ol' Ish here played out fantasies of ripping up the fret board like Larry Carlton.
Read MoreJoni Mitchell may be the most influential female artist in music history.
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As much as I enjoy Steely Dan songs and can listen to most of them over and over (which is a good thing, since I'm writing about them every week), only one of their songs is what I'd call an "earworm," and that's the titular cut that ends The Royal Scam album.
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The first track from Steely Dan's The Royal Scam is about jazz changes over a tight, chugging funk-disco groove expertly manned by Chuck Rainey and Bernard Purdie.
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