Things changed drastically for Kool And The Gang in 1989. J.T. Taylor departed, and they were caught without a standout lead singer for the first time since 1978. They had also transformed the sound so much that they couldn't go back to funk, which by now was passe anyhow. So they cranked out a completely faceless, aimless record, one so desultory that it was sad for both fans of the old and new sound to hear it. It's probably the worst album of their career. ~ Ron Wynn, All Music Guide
Kool & the Gang's penultimate album, and vocalist James "J.T." Taylor's last with the band before he left for a solo career, 1986's Forever marked the group's final Top Ten hit. And, while it was still a slick slab of competent R&B, Forever was a far cry from the driving funk grooves of Kool's earlier material. Having been fully in the grasp of the mainstream since the beginning of the decade, Kool & the Gang popped a further three songs into the Top 20 in late 1986/early 1987. Both "Victory" and "Stone Love" are sharp, synthesized pop, while "Holiday," though heavy on lyrical clichés, is graced by a wonderful bassline -- sorely missed from much of the band's latter-day repertoire. The title track, meanwhile, emerges as an elegant ballad by 1980s standards, while elsewhere the band combines both elements across "Peace Maker" and the melancholy "Broadway," which hides power ballad rock guitars deep in the mix. Long past their classic funk prime, Kool & the Gang were also fast teetering on the precipice of wearing out their pop welcome as well. Despite some rocky moments, best forgotten, Forever remains a competent last hurrah for Taylor, and indeed for the band itself. ~ Amy Hanson, All Music Guide
This album marked the end of Kool & the Gang's 15-year association with De-Lite Records. Impressively, the group charted each of those 15 years, including ten number one singles. Emergency continued that tradition, and was responsible for two of those number one singles. The first release, "Misled," with its crackin' bassline, led the charge; it peaked at number three on the Billboard R&B charts. "Fresh," an invigorating dance single with melodic verses and accented chorus chants, followed and surpassed "Misled," claiming the top spot. Mostly known for their funk and dance songs, the nine-piece band hit on a more tranquil note with "Cherish." With its adult contemporary appeal, the tender-flowing single eased its way to the top of the charts. All three of the aforementioned singles were also Billboard pop Top Ten singles. The final chapter in the group's De-Lite Records catalog came with the release of the title track, "Emergency," a rock-flavored single that crested at number seven on the Billboard R&B charts. ~ Craig Lytle, All Music Guide
By the time 1983's In the Heart hit the streets, Kool & the Gang had left the fast lanes of funk for the smoother ride of the adult-oriented R&B expressway. Nevertheless, their grasp of 1980s soul sonics ensured that the band continued to top the charts with a verve and style that left their early influences firmly behind. With Ronald Bell temporarily stepping off the stage to shoulder the production, the band entered yet another fruitful era. With the monster hit "Joanna" setting the pace, Kool & the Gang powered their way through a set that seemed light to some, but still had enough force to push In the Heart into gold disc territory. Best heard across the aforementioned number one hit and, also, on the urgent, but still smooth "Tonight," the band also excelled on "September Love," a sleepy ballad that holds forth with a tender touch. Elsewhere, Kool & the Gang filled in the gaps with their now-trademarked synthesized brand of smooth R&B standards and, despite its own successes, In the Heart would ultimately be remembered as the beginning of the downward spiral upon which the band would glide for most of the decade. ~ Amy Hanson, All Music Guide
During their eight-year reign as one of the premiere R&B/funk bands, Kool & the Gang, featuring James "J.T." Taylor on lead, had one Top Ten hit after another and quite a few number one hits. This album did not spawn any number one singles, but it did house two festive Top Ten numbers in "Big Fun" and "Let's Go Dancin' (Ooh La, La, La)." The former has a rapid, groovin' bassline accentuated by some jittering horns. The latter is Caribbean-flavored single ideal for a popular party/cook-out dance called the electric slide. Respectively, they peaked at six and seven on the Billboard R&B charts. Though it appears that the lyric to the title song depicts a relationship between a man and woman, it is actually speaking of the band as an unit. The nine-piece outfit also pays homage to the great bandleader Cab Calloway with the rhythmic number "Hi De Hi, Hi De Ho." Aside from the two released singles, this album does not have that constant spark like some of their more accomplished efforts. ~ Craig Lytle, All Music Guide
With their long track record, Kool & the Gang have always offered dance-provoking rhythms and Something Special fits that bill, too. Featuring the number one single "Take My Heart (You Can Have It If You Want It)," James "J.T." Taylor approaches the song in a cool, mesmerizing tone, closing out the vamp in his falsetto with a burst of energy while the background vocals chant the subtitle throughout the chorus. Not known to lead a song in falsetto, Taylor further utilizes this talent on the motivated rhythms of the nocturnal scenario of "Steppin' Out." It maintained a steady stride, rising to the number ten spot on the charts. The third single from the album was "Get Down on It." As the title indicates, this is a gritty funk track that worked its way up the charts to claim the number three position, selling more than 500,000 copies. Although there were no more charted singles from this album, the entire collection is deserving of recognition. On a slower note, "Pass It On" and "No Show" received regional airplay. The former encourages people to spread love to all children, and the latter is a sorrowful account of a man left standing in the rain, waiting for the love that never showed. Both singles have similar rhythm arrangements. As for inspirational songs, "Stand Up and Sing" is a moderately paced single with lyrics that are uplifting. ~ Craig Lytle, All Music Guide