
- Born: February 07, 1934 in Fort Worth, TX
- Member of: The Curtis Orchestra
- Genre: R & B
- Influenced by: Louis Jordan, Arnett Cobb, Illinois Jacquet
- Followed By: Junior Walker, Tom Scott, Clarence Clemons, Brother Vernard Johnson, Michael Brecker, Soul Summit
- Similar Artists: Lee Allen, Earl Bostic, Ray Charles, The Coasters, Bill Doggett, Junior Walker, Cannonball Adderley, Gene Ammons, Paul Bascomb, Rusty Bryant, Jimmy Forrest, Big Jay McNeely, Houston Person, Tab Smith, Hal Singer, Maceo Parker, Sam "The Man" Taylor, David "Fathead" Newman, Eddie "Cleanhead" Vinson, Fred Wesley, Curtis Ousley
King Curtis was the last of the great R&B tenor sax giants. He came to prominence in the mid-'50s as a session musician in New York, recording, at one time or another, for most East Coast R&B labels. A long association with Atlantic/Atco began in 1958, especially on recordings by the Coasters. He recorded singles for many small labels in the '50s -- his own Atco sessions (1958-1959), then Prestige/New Jazz and Prestige/TruSound for jazz and R&B albums (1960-1961). Curtis also had a number one R&B single with "Soul Twist" on Enjoy Records (1962). He was signed by Capitol (1963-1964), where he cut mostly singles, including "Soul Serenade." Returning to Atlantic in 1965, he remained there for the rest of his life. He had solid R&B single success with "Memphis Soul Stew" and "Ode to Billie Joe" (1967). Beginning in 1967, Curtis started to take a more active studio role at Atlantic, leading and contracting sessions for other artists, producing with Jerry Wexler, and later on his own. He also became the leader of Aretha Franklin's backing unit, the Kingpins. He compiled several albums of singles during this period. All aspects of his career were in full swing at the time he was murdered in 1971. ~ Bob Porter, All Music Guide
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