Kenny Poole Albums (2)
'For George: Tribute to a Master'
Release Date 8/17/1999
Tracks 15
Label Jcurve
See Album Tracklist and Review
What The Critics Say
George Van Eps hasn't been the subject of a lot of tributes. The guitarist was never as well known as he deserved to be, and his admirers have often described him as one of the unsung heroes of jazz guitar. After a long career, Van Eps passed away in 1998 at the age of 85 -- and it was in November of that year that fellow guitarist Kenny Poole recorded this enjoyable tribute to him. Poole considers Van Eps one of his early influences, and the Cincinnati resident salutes Van Eps' lyrical approach with relaxed, easygoing versions of standards like "Indian Summer," "You Go to My Head," and "Stars Fell on Alabama." This isn't to say that Poole, who is unaccompanied on ten selections and forms a trio with vibist Dick Sisto and drummer John Von Ohlen on five others, tries to sound like a Van Eps clone -- he's his own man, and he pays homage to the late guitar master on his own terms. Recommended. ~ Alex Henderson, All Music Guide
What The Critics Say
New Yorker Bertoncini and Cincinnatian Poole have contrasting styles on acoustic nylon string guitars: the former is more classic and classical, while the latter is a bit more swing-oriented. Together they are perfectly in tune with one another's notions and inclinations, playing these 12 standards faithfully and with tender loving care. Acoustic bassist Bob Bodley joins them for several cuts, but is mixed well in the background, unobtrusive and quiet, as the guitarists weave their own mezzo piano spell. Easy swing is the thing for well-known tunes like "Tangerine" and "A Sleeping Bee," which bookend the recording. (The latter piece is loaded with interplay and an opportunity for Bodley to solo). Blues is also prevalent on the pair of Duke Ellington numbers, "Do Nothin' 'Til You Hear From Me" and "Sophisticated Lady." "The Shadow of Your Smile" holds the most intrigue for the two plectrists; it sounds like they are waiting for each other to make a move, not tentative but coy and cunning on this boppish, faster version. They also change up the bop flag-waver "Cherokee," turning it into a samba with reserve and resolve. Of the Brazilian pieces, "Estate" starts in a free rubato mode leading to a molasses slow bossa nova, "All the Things You Are" is turned into a quick samba, and "Woman From Bahia" is a cool samba. "Willow Weep for Me" is the longest track at nine minutes, and the loping melody lingers on and on. The highlight is Claude Thornhill's "Snowfall," with an almost country feel informing two chord embellishments. A good teaming for these masterful players and underdocumented musicians. ~ Michael G. Nastos, All Music Guide
