Just because Kenny Lattimore's Weekend was executive produced by über-producer Antonio "LA" Reid does not guarantee a hit factory. Sure, the music on this R&B affair is comparable to anything else out there in the genre (think Jagged Edge, but not as soulful or infectious). However, calling this album "comparable" is generous. Weekend, with its bland arrangements, cookie-cutter R&B sound, and lyrical vacuity, is a yawn. Hookin' up, the inability to breathe without "the one," and other hackneyed themes abound on this banal album. There isn't enough groove or vibrato, shirt-clutching vocals to keep listeners from growing bored, and fast. Find something else to do this weekend. ~ Liana Jonas, All Music Guide
Despite its lumbering length and some slick, late-'90s R&B formalities, Kenny Lattimore's second album is a real treat. Combining smooth grooves with an even silkier voice, Lattimore shifts from bedroom operator to new jack king with an ease that seems neither forced nor affected on From the Soul of Man. The R&B stew is made even heartier by a couple of inspired covers, even if they're not totally successful in their execution (who knew that "While My Guitar Gently Weeps" could be so sexy?). When the album tosses in basic contemporary soul ingredients -- songs that are more finely chiseled than actually tuneful, occasional robotic singing, glossy production that's hiding something -- it flows into mind-numbing conventionality. But when Lattimore gently soaks in the material (nearly all of it penned by him), From the Soul of Man is truly a spirited affair. ~ Michael Gallucci, All Music Guide
Despite an inconsistent collection of songs, Kenny Lattimore's eponymous debut album is a promising record, showcasing his smooth voice to fine effect. His singing and the slick production makes the weaker numbers enjoyable, but when he's given a good song -- such as the singles "Just What It Takes" and "Never Too Busy" -- the depth of Lattimore's talent becomes apparent. ~ Leo Stanley, All Music Guide