Johnny Winter Albums (34)
Raised on Blues

'Raised on Blues'

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Johnny B. Goode

'Johnny B. Goode'

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What The Critics Say

Johnny B. Goode is a compilation on Rex, the Sony BMG partnership label for reissues. It's budget but offers solid material from Johnny Winter's early years with Columbia, from "Rock and Roll Hoochie Koo" and "Still Alive and Well" to "Stray Cat Blues," "I'll Drown in My Tears," and his trademark version of "Rollin' & Tumblin'." The early Winter band featured Tommy Shannon and Uncle John Turner (who late formed the rhythm section of the late Stevie Ray Vaughan's Double Trouble and the Arc Angels). Winter's brother Edgar appears here as well. This is a solid portrait of Johnny Winter as he was hitting his stride and changing the face of electric blues-rock. ~ Thom Jurek, All Music Guide

I'm a Bluesman

'I'm a Bluesman'

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What The Critics Say

Yes, he's a bluesman -- has anyone at all familiar with Johnny Winter ever thought anything else? But his first album of new material in almost eight years was certainly very much in the straightforward blues-rock mold, emphasis on the "blues" over "rock." There was nothing to either disappoint longtime fans or excite the unconverted, as it was about exactly the set you'd expect from Winter, setting energetic if predictably formatted material to solid electric blues arrangements. His accomplished guitar playing sometimes bore a tarter tone than some of his past recordings, and his vocals as always were not as impressive as his axe work, though they were serviceable. The songs were a mixture of originals, contributions from past and present sidemen and producer Tom Hambridge, and covers of Lazy Lester's "Sugar Coated Love" and Hop Wilson's "That Wouldn't Satisfy." Although this is acceptably competent, good-natured blues-rock, it's the acoustic "That Wouldn't Satisfy" that provides the most inspired moments. Winter's slide guitar on this track is superb, whetting one's appetite for an entire album of such outings should he ever be in the mood to go unplugged. ~ Richie Unterberger, All Music Guide

Live in NYC '97

'Live in NYC '97'

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What The Critics Say

Johnny Winter assembled Live in NYC '97 with assistance of his fan club, drawing all of the recordings from an April 1997 performance at the Bottom Line. Produced by Winter's longtime colleague Dick Shurman, the record doesn't follow the predictable pattern of a live album -- instead of hits, it offers fan favorites and covers, which makes for a much more interesting listen. Throughout the album, Winter simply rips, tearing through all five songs with blistering energy. This is the live album hardcore fans have been wanting for years, and it doesn't fail to deliver on its promise. ~ Stephen Thomas Erlewine, All Music Guide

White Heat

'White Heat'

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What The Critics Say

White Heat is an eight-track live album featuring Johnny Winter performing with such stellar guests as Jimmy Reed, Willie Dixon, and others. ~ Steve Huey, All Music Guide

White Hot Blues

'White Hot Blues'

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What The Critics Say

Slowly over the years, perhaps through sheer survival if nothing else, Johnny Winter finally forged a reputation as a real bluesman rather than a flashy guitar player with a built-in genetic gimmick to sell himself with. That his blues has always been rock & roll and his rock & roll has always been blues is no better highlighted than on this 16-track collection. The raw rock of "Highway 61 Revisited" and the live version of "Johnny B. Goode" sit just fine next to the burner "Be Careful with a Fool," perhaps Winter's finest slow blues performance. The performances span his tenure with Columbia from 1969 to 1980, with the other highlights including "Too Much Seconal," "New York, New York," "Leland Mississippi Blues," and "The Crawl." This may just very well be some of the best blues-rock guitar your money can buy. ~ Cub Koda, All Music Guide

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