'Places Between: Live in Dublin'
What The Critics Say
It's easy to get lost in the swirl of string activity produced by this pair of virtuoso guitarists, but that's the idea: John Williams and John Etheridge dance around one another, dart in and out of the other's mesmerizing solo, then fuse seamlessly once again. Recorded, as the title says, live in Dublin, Williams and Etheridge are both sensitive and detail-oriented players sporting a strong sense of melody and dazzling technique, but neither is afraid to let loose with a scorching run that simultaneously teases the boundaries of classical guitar (Williams' domain) and approaches progressive rock or jazz fusion intensity (no doubt Etheridge's input). There's a decided world music influence here, with songs by African artists Mory Kanté and Francis Bebey in the repertoire, but a low-key but shining rendition of the Billie Holiday staple "God Bless the Child" and the three-part "Peace, Love and Guitars," written by another ace guitarist/composer, Benjamin Verdery, are also beyond stunning. Williams' natural classical leanings mesh naturally with Etheridge's electrifying steel-string, often adding up to a full-bodied sound that could pass for a full band. ~ Jeff Tamarkin, All Music Guide
What The Critics Say
There's something intimate about putting two virtuosos together in the studio and allowing their musical geniuses to intertwine. The interplay and chemistry between the two players ultimately has more to do with the success of the project than one player's ability to deliver a hot solo. The Raven features the talents of guitarist Dean Magraw and multi-instrumentalist John Williams on an expansive set that covers both Celtic dance reels and folk-classical. Magraw's guitar supplies a steady thread from "Twin's Dance Party" to the title cut, while Williams' ability to switch from button accordion to flute to piano provides the duo with a great deal of versatility. The opener, "Twin's Dance Party/Sylvia's & Mikey's Reels," bounces along to the tune of a rhythmic guitar and lively accordion, while "Perdition Piano Duet" glides along to the intricate intermingling of guitar and piano. The combination of traditional pieces and original compositions, along with fresh arrangements, is a good mix. That some venders may file The Raven under easy listening is a misnomer. The album is quite mellow in places, but it never tempts one to meditate or go to sleep. Williams and Magraw have forged a fruitful partnership on The Raven, and the results are quite enjoyable. ~ Ronnie D. Lankford, Jr., All Music Guide
