John Pizzarelli Albums (23)
'With a Song in My Heart'
Release Date 8/19/2008
Tracks 12
Label Telarc
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What The Critics Say
John Pizzarelli salutes composer Richard Rodgers with this songbook including a dozen of his works. The vocalist/guitarist is accompanied by his trio, with Larry Fuller replacing Ray Kennedy, bassist Martin Pizzarelli, and drummer Tony Tedesco. Pizzarelli adds a personal touch to "I Like to Recognize the Tune" by altering Lorenz Hart's lyrics a bit, while also scatting up a storm in unison with his guitar. Bucky Pizzarelli is an added guest and soloist for "It's Easy to Remember," an intimate duet with the vocalist playing rhythm. Cesar Camargo Mariano takes over at the piano for the breezy bossa nova setting of "Happy Talk." Arranger Don Sebesky wrote the charts for the six tracks and a quartet of brass and reeds, highlighted by the snappy scoring of "The Lady Is a Tramp," recalling Pizzarelli's previous Telarc salute to Frank Sinatra (Dear Mr. Sinatra, in which he trades fours scatting with each of the horns). This release is a little short in the CD era, clocking in at just over 43 minutes, but there's never a dull moment. ~ Ken Dryden, All Music Guide
'Rhythm Is Our Business'
Release Date 9/26/2006
Tracks 10
Label BMG Special Products
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What The Critics Say
Frank Sinatra, though not a jazz singer, was long respected by jazz musicians for his natural ability to get the best out of a song while developing a trademark approach to singing that had great appeal. While many recorded tributes to Sinatra since his death have been abysmal at best, vocalist and guitarist John Pizzarelli knows a little something about swinging and finding the essence of each song. Backed by the Clayton-Hamilton Jazz Orchestra, with whom Pizzarelli toured prior to the making of this CD, along with arrangements by John Clayton, Don Sebesky, Dick Lieb, and Quincy Jones, he sought to focus primarily on songs written with Sinatra in mind, though taking new approaches to each of them. Dear Mr. Sinatra opens with an over-the-top rendition of "Ring-A-Ding-Ding." Clayton's sensitive writing for reeds provides the perfect backdrop for Pizzarelli's warm vocals in "If I Had You." The singer works magic in another fine Clayton chart, "I've Got You Under My Skin," delivering the goods in a sensitive interpretation. Pizzarelli is backed only by pianist Tamir Hendelman in the miniature scoring of "The Last Dance," which serves as a perfect finale. Only three of the tracks clock in at over four minutes, so there's not much of a focus upon instrumental solos, though Pizzarelli's guitar is featured in "Witchcraft." With a total time just under 40 minutes, the program is a little short by CD standards, but the performances by John Pizzarelli and the Clayton-Hamilton Jazz Orchestra in this warm tribute to Old Blue Eyes are consistently of high caliber and hit the mark every time. ~ Ken Dryden, All Music Guide
What The Critics Say
Guitarist/vocalist John Pizzarelli returns with another solid collection of tastefully swinging standards on Knowing You. Never straying too far from what he does best, Pizzarelli is nonetheless an exciting improviser and pleasing vocalist who always finds a way to make an old chestnut of a tune his own. Here, his rapport with such longtime bandmates as pianist Ray Kennedy, bassist Martin Pizzarelli, and drummer Tony Tedesco is instinctual, full of humor, and filled with call-and-response interplay. To these ends, Pizzarelli has compiled an enjoyable set of well- and lesser-known standards, including the sprightly swinger "Coffee, Black," the elegantly mellow "The Shadow of Your Smile," and the sweetly unexpected Brian Wilson classic "God Only Knows." That interesting song choice and the Rupert Holmes-esque original title track also show Pizzarelli's ability to push his talents into contemporary areas without alienating his fan base. Also joining in are Pizzarelli's wife, vocalist Jessica Molaskey, along with pianist Larry Goldings, tenor saxophonist Harry Allen, and others. ~ Matt Collar, All Music Guide
What The Critics Say
John Pizzarelli's love affair with the bossa nova stretched back over two decades prior to the making of this CD, which is his salute to the legendary João Gilberto. Accompanied by his regular group (pianist Ray Kennedy and bassist Martin Pizzarelli) and augmented by drummer Paulinho Braga and percussionist Jim Saporito, along with several others on selected tracks, Pizzarelli's soft, swinging vocals and strong but understated guitar work their magic throughout the session. While most of the pieces are Brazilian works, there are exceptions. Gershwin's "Fascinatin' Rhythm" is easily adapted into a bossa nova, adding backing vocals and the potent tenor sax of Harry Allen. Rocker James Taylor's "Your Smiling Face" benefits from the brisker setting and a flute choir backing Pizzarelli. Broadway composer Stephen Sondheim's "I Remember" adds Don Sebesky's string arrangement, carefully filling the backgrounds in this beautifully sung ballad. Of course, several songs are devoted to the timeless compositions of Antonio Carlos Jobim. All five present on this date have been recorded so frequently that it would be hard to come up with landmark interpretations, but Pizzarelli and company do justice to all of them. Also worth investigating are the leader's two originals, the swinging "Francesca" and the breezy "Soares Samba." The intimate sound throughout this recording is an additional bonus. ~ Ken Dryden, All Music Guide
What The Critics Say
This is a wonderful, warm-hearted, and effortlessly virtuosic live recording by one of the finest living exponents of pre-bop small-ensemble jazz. With pianist Ray Kennedy and bassist Martin Pizzarelli (and on two songs joined by vocalist Grover Kemble), singer and guitarist John Pizzarelli runs through a generally lightweight but thoroughly charming set of standards, homages, funny stories, and the occasional original tune; the fast tunes are light and frothy, the ballads smooth and gentle, and even the moments that are less than utterly inspired work together with the album's highlights to create a very satisfying whole. John Pizzarelli has a suit sponsor, which tells you something about what to expect of him as a singer: his voice is smooth and warm, offering a nice combination of Chet Baker's timbre and Dean Martin's fullness; as a guitarist you need to know that he favors seven-string guitars and flat-wound strings, leading him naturally to a swinging Django Reinhardt-meets-Freddie Green kind of sound. As for the trio's instrumentation, it's true that when you can comp with this kind of authority you don't technically need a drummer. But on a few tracks a drummer would have filled out the band's sound nicely. Highlights include the group's fun, slightly greasy take on "Frim Fram Sauce" and a great ode to Art Tatum called "Tea for Tatum," as well as a fine original blues composition titled "Headed Out to Vera's." Pizzarelli's own "Oh, How My Heart Beats for You" and "Day I Found You" are also wonderful. But the album's standout track is a limpidly gorgeous rendition of another original, "Better Run Before It's Spring." Pizzarelli is obviously having a blast in the intimate setting of the legendary Birdland club, and so will any jazz lover who takes the time to listen. Very highly recommended. ~ Rick Anderson, All Music Guide
'The Rare Delight of You'
Release Date 4/23/2002
Tracks 15
Label Telarc
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What The Critics Say
John Pizzarelli teams with the George Shearing Quintet to reveal their unique musical chemistry on The Rare Delight of You, a 15-track gem filled with the ambience of such great composers as Irving Berlin, Leonard Bernstein, Harry Warren, and the master himself, George Shearing. Pizzarelli, a master of the Great American Songbook, showcases his musical heirlooms -- buoyant, loving vocals and quality guitar skills -- alongside Shearing's authentic and full-spirited piano savvy with brilliant insight and freedom of expression without exceeding the boundaries of the original compositions. The results are tender, expressive, jazz renderings that resound with taste and class. The best-selling guitarist and his wife, Jessica Molaskey, co-wrote "I Predict" with Shearing and also co-wrote the title track, "The Rare Delight of You." The latter, a tender, love ballad with the potential to become a jazz standard, is a relaxing song that conjures a variety of loving moods. Among the more delightful and memorable songs are "September in the Rain" and "Be Careful It's My Heart." Pizzarelli delivers them with all their harmony and richness, quietly, softly in tune with the light and, at times, swinging piano accompaniment of Shearing. The group dynamic is also interesting since they've mastered an ever-changing body of arrangements. Great music attracts the best musicians and Shearing's Quintet: Dennis Mackrel on drums, Ted Piltzecker on vibraphone, Reg Schwager on guitar, and Neil Swainson on bass are among the attributes that make this CD a success. They immerse the listener in a variety of musical moods and set the tone on this one-of-a-kind musical terrain with a distinctive subdued passion. John Pizzarelli meets the same self-imposed standards he set on "Let There Be Love" and continues to deliver the goods with enthusiasm, earnest humility, and charm. ~ Paula Edelstein, All Music Guide
What The Critics Say
By the time of this 2001 studio session, father and son duo Bucky & John Pizzarelli had made a number of recordings together, as well as informally jamming with each other for at least several decades whenever the opportunity arose. So it should be no surprise at all that these two masters of the seven-string electric guitar effortlessly spin their magic as they explore a dozen or so standards, most of which were recorded decades earlier by singer Bing Crosby with guitarist Eddie Lang's accompaniment in a band. It seems almost impossible for either of these musicians to play a bad lick, and they readily switch roles between soloing and playing rhythm so seamlessly that it takes an expert to tell who is doing what at any given moment. The senior Pizzarelli gets two solo features to his offspring's solitary track, but that hardly makes a case for a family feud. Highlights include the intricate take of "The Sheik of Araby" and an original, "Bing's Blues," which is a laid-back tribute to the late crooner. Released by the tiny Victrola label, this twin-guitar session is well worth acquiring. ~ Ken Dryden, All Music Guide
What The Critics Say
In order to fully appreciate a John Pizzarelli listening experience, the following accoutrements are recommended: candles, rose petals, and a bit of bubbly. Because a night of romance is what's to be expected when one of the contemporary jazzman's discs is playing in your living room or boudoir. Pizzarelli's music is renowned for capturing all of the little nuances of love in confections that are light, breezy, and finger-snapping smooth. The singer/guitarist is one of the early 21st century's more notable jazz interpreters of the younger generation, and he has thus far devoted his career to presenting the classics in his own compositions on his albums. On his second Telarc release, Let There Be Love, Pizzarelli pulls back his arrow again and shoots out a 15-song tribute to romance -- from its endearingly awkward beginnings to steadying middle to the enduring golden years. Several numbers on Let There Be Love are Pizzarelli originals. These include "DaVinci's Eyes," "Lucky Charm," and "Our Little Secret." The jazzman also offers up such standards as "These Foolish Things" and "Stompin' at the Savoy." Supported by his family -- Bucky Pizzarelli (guitar) and Martin Pizzarelli (bass) -- and showcasing graceful pianist Ray Kennedy, who is the musical driving force behind the songs, Let There Be Love is a beautifully crafted rumination on love, jazz style. The collection is a must for any contemporary jazz lover's collection, especially those who like their tunes light and sweet, and on the gentle side. Simply irresistible. ~ Liana Jonas, All Music Guide
What The Critics Say
John Pizzarelli takes his nifty little act over to the folks at Telarc, and in fact, little has changed at all; if anything, the act has gotten better. The good news is that Pizzarelli shows continued improvement as a vocalist; the nasal, callow, youthful sound slowly gives way to a less naive, more rhythmically hip style in the manner of early Nat Cole. Pizzarelli was a fine, versatile guitarist from the start, and he continues to astonish at lightning tempos here. His airtight longtime trio (brother Martin Pizzarelli on bass, Ray Kennedy on piano) keeps right up, switching tempos on a dime. As you would expect, the menu consists of mostly Tin Pan Alley/swing standards from way back ("When I Take My Sugar to Tea," "When Lights Are Low," "Don't Be That Way," "Polka Dots and Moonbeams," etc.); the idiom is King Cole Trio all the way, with some Oscar Peterson when Kennedy gets rolling. The only thing missing is Pizzarelli's good-natured kidding around with his band and his audience, which has become one of the main attractions of his live act. This artist is a good match for Telarc's growth as a jazz label -- young faces, old repertoire -- and of course, the Pizzarelli brothers and Kennedy are now the beneficiaries of Telarc's vaunted, depth-charged engineering. ~ Richard S. Ginell, All Music Guide
