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Song Premiere: Sheryl Crow, Dave Alvin, Phil Alvin, Taj Mahal Sing 'Home Again'

- Source: Rolling Stone

June 4th will see the release of the long-in-the-works Ghost Brothers of Darkland County , the Southern gothic musical borne out of an unlikely collaboration between John Mellencamp and Stephen King. King wrote the play after Mellencamp told him about two brothers who had gotten into a fight over a girl at a cabin on the musician's property; one brother was killed accidentally in the scuffle, and the surviving one and the girl died in a car crash soon after.

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Tedeschi Trucks Band

- Source: Rolling Stone

Recorded in a farmhouse in Brownstown, Indiana, "Pink Houses" was inspired by a tableau that the heartland rocker witnessed on a highway overpass.

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Stephen King takes a 'risk' with first play

- Source: Telegraph - London - UK [Music]

"I got this call out of the blue from John Mellencamp, saying he wanted to write a play. What I always remember was he tuned my guitar while we talked. He said 'I have this idea for a story,' and the idea was a classic, about ghosts in a cabin. And what I really liked is that we could put ghosts and live people in a cabin, and they wouldn't see each other. Visually, that turned my dials."

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Top 10 Christmas Songs

- Source: WNEW

Well, the turkey has been stuffed and so have we and now it's time to turn our thoughts toward Christmas, now less than a month away.

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John Mellencamp in Boston

- Source: Ryan's Smashing Life

In two days, John Mellencamp will be cast on the national stage - playing before thousands live at Farm Aid 2011 - sharing his passion for music and supporting something he can believe in. [Listen and watch Farm Aid 2011 - In addition to the Farm Aid webcast Willie Nelson's SIRIUS XM music channel, Willie's Roadhouse (channel 56), will broadcast the entire live concert beginning at 2 p.m. CDT.]

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Album: John Mellencamp, No Better Than This (Rounder)

- Source: The Independent - Music

The argument between analogue and digital recording methods is neatly summarised this week by comparing this simple, stripped-down offering from John Mellencamp with the second album by Klaxons, on which the songs are hidden away beneath layers of digital blah, track after track of guitar and keyboard and effect piled upon the material until its spine snaps, and all that remains is some amorphous noise begging for your attention.

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