James Morrison Albums (2)
'Songs for You, Truths for Me'
Release Date 1/1/2008
Tracks 12
Label Universal AB
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What The Critics Say
What separates James Morrison from fellow Brit singer/songwriters like James Blunt and Daniel Powter is his taste for soul. Sure, this may have been fostered in part by his fondness for Elton John -- whose presence is as inescapable in Morrison's music as it is in Blunt, Powter, or any number of modern-day pop troubadours -- but Morrison picks up on the splashy soul of John's middle-period, weaving in elements of Stevie Wonder and Van Morrison to create a retro-soul vibe that's more about the song than the groove. This is more true on Songs for You, Truths for Me than it was on his 2007 debut Undiscovered, as he piles on horn sections, sings with a gruff studied soulfulness, and even cribs from Van's "Crazy Love" on his own "Precious Love." All this soulman posturing can come across as a bit too earnest, but it does give Morrison a heft and measure of grit missing in the simpering Blunt, which lends Songs for You some pleasing sonic textures not all that dissimilar to John Mayer's Continuum, but Morrison isn't just about sound, he can construct good pop songs, especially when he goes for big, bright hooks, as he does on the '70s soul pastiche "Save Yourself" and "The Only Night," which recalls Elvis Costello in his Get Happy! phase. These talents kind of contradict the soul-baring promise of the album's title, but Morrison kind of drags when he gets into ballad territory, like the Nelly Furtado duet "Broken Strings." He's better on easy rolling numbers like "Please Don't Stop the Rain" or when he puts a bit of a kick in the tempo, as the energy accentuates his popcraft, which is more energetic, forceful -- and, yes, soulful -- than his peers, something that comes into sharp relief on this solid sophomore affair. ~ Stephen Thomas Erlewine, All Music Guide
'Undiscovered'
Release Date 1/1/2006
Tracks 11
Label Interscope/Polydor
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What The Critics Say
James Morrison's debut had already gone platinum in Britain before it was released in the U.S., and the young singer/songwriter has scored hit singles at home. With a pleasantly soulful voice that faintly recalls Stevie Wonder, he offers several slices of polite soul-pop that deftly manage to recall the heyday of soul while still managing to sound modern -- a neat balancing trick. However, smooth as Morrison sounds, for much of the album there's a distinct lack of passion in his voice -- and that's a prime ingredient of real soul music. Only on "Call the Police" does he summon any real anguish. "You Give Me Something," his first British hit, is catchy and memorable, but not a classic. Indeed, this is an album without soul classics. Ultimately it's more a piece of pop, but there's nothing wrong with that. Time will tell how ephemeral the songs will be, but Morrison shows here that he might become a real talent with some age and work, and maybe a little personal pain wouldn't hurt. He has a hand in all the songs here, showing definite qualities as a writer. Again, time will tell. ~ Chris Nickson, All Music Guide
