There's a great moment in Don't Look Back where Dylan informs a disbelieving reporter that he's as good a singer as Caruso, qualifying the claim by stating he hits all the notes that he wants to hit. Read More
Still, the hotel ballroom's elegantly dressed audience was rapt throughout the evening's program of musicians who had backed legends from Ella Fitzgerald to Frank Sinatra. Read More
There's a great moment in Don't Look Back where Dylan informs a disbelieving reporter that he's as good a singer as Caruso, qualifying the claim by stating he hits all the notes that he wants to hit. Read More
Talking to Melody Maker towards the end of 1972, Robert Wyatt seemed uncertain what the coming year might hold. Read More
In some ways, Soft Machine were the ultimate progressive band. Read More
There's a great moment in Don't Look Back where Dylan informs a disbelieving reporter that he's as good a singer as Caruso, qualifying the claim by stating he hits all the notes that he wants to hit. Read More
Perhaps unsurprisingly, Kevin Ayers 's first album of new material in 15 years is largely concerned with the passage of time, its songs reflecting on lost loves, wrong turnings and missed opportunities. Read More
Talking to Melody Maker towards the end of 1972, Robert Wyatt seemed uncertain what the coming year might hold. Read More
Perhaps unsurprisingly, Kevin Ayers 's first album of new material in 15 years is largely concerned with the passage of time, its songs reflecting on lost loves, wrong turnings and missed opportunities. Read More
There's a great moment in Don't Look Back where Dylan informs a disbelieving reporter that he's as good a singer as Caruso, qualifying the claim by stating he hits all the notes that he wants to hit. Read More
Hugh Hopper was best known as the electric bassist for Soft Machine during the band's most creative and critically acclaimed ... Read the full Hugh Hopper bio.