No surprise, really, that the two most interesting songs on Spencer Kincy's (aka Gemini's) fourth studio album, "At That Café" and "Swimmin' Wit' Sharks," were originally released on the highly innovative Classic record label. But then again, Gemini has always been affiliated with creative labels, from his earliest days on Cajual until now. Of course, there's not really a bad track on here. There are a few that are perhaps too long (a common result of making music in terms of dancefloors), but "Raplh" does an outstanding job displaying Kincy's advanced musicality. Live and program drums weave together with some tasteful keyboard work. The metallic vocals and drums on "Kiva Song" do nothing to limit the soulfulness of the piece, while "Where U Belong" breaks it down to the bare minimum of sounds and structure. A quality slice of house music that sounds comfortingly familiar while keeping it fresh. Gemini is defiantly doing more than cookie-cutter tracks. ~ Joshua Glazer, All Music Guide
The odd man out of Gemini's first three LPs, In Neutral is more roughly an experimental album, with acid tweaks and wiggly basslines providing a few focus points for the far-out tracks. ~ John Bush, All Music Guide
The most wide-ranging of Gemini's trio of 1997 LPs, Imagine-A-Nation progresses through the expected acid minimalism but also detours through Native American percussion and intriguing brass on "Native to America" and sly funk/disco basslines on "Falling Leaves" and "Don't Look Back." ~ John Bush, All Music Guide