The quirky guitarist with the endlessly wavy hair made it two winners in a row with this one. Snooks Eaglin guests on guitar for three tracks (including the hilarious "Big Foot" and a joyous "No City like New Orleans," while Porter and drummer Herman Ernest III lay down scintillating grooves behind King's ringing axe and wise vocals. ~ Bill Dahl, All Music Guide
Reunited with a more sympathetic New Orleans rhythm section (bassist George Porter, Jr., and drummer Kenny Blevins) and a funkier horn section, King excelled handsomely on this uncommonly strong outing. As we've come to expect from him, he brought a sheaf of new originals to the sessions, from a saucy "Sexual Telepathy" to a heartwarming "Happy Little Nobody's Waggy Tail Dog." Remakes of his "Always a First Time" and "A Weary Silent Night" were welcome inclusions (especially since we can't easily lay our hands on the originals!). ~ Bill Dahl, All Music Guide
The coupling of funky Crescent City guitarist Earl King with the East Coast-based Roomful of Blues wasn't exactly made in heaven (the band excels at jump blues; at second-line beats, they're fairly clueless), but it did mark the beginning of King's heartwarming comeback as a recording artist. King's songwriting skills were certainly in fine shape: "It All Went Down the Drain," "Iron Cupid," and "Love Rent" were typically well-observed originals. ~ Bill Dahl, All Music Guide