Duran Duran Albums (12)
What The Critics Say
While Duran Duran have worked steadily since their 1993 comeback, The Wedding Album, they haven't always sounded as stylish and creatively tuned-in as they do on 2007's Red Carpet Massacre. Perhaps it's because there hasn't always been a definitive sound for the band to catch onto in the way that adult alternative informed the mature aesthetic of The Wedding Album. Interestingly, rather than go for the sound of more obvious neo-new wave bands like the Killers, Red Carpet Massacre finds the original lineup of vocalist Simon LeBon, keyboardist Nick Rhodes, bassist John Taylor, and drummer Roger Taylor -- guitarist Andy Taylor left prior to recording -- hooking up with modern dance-pop producers Danjahandz and Timbaland for a sound that at once returns the band to its edgy, club-oriented roots while also updating its sound to fit in on the radio next to such contemporary Timbaland-helmed acts as Justin Timberlake and Nelly Furtado. In fact, Timberlake even co-wrote and produced the very "FutureSex/LoveSounds"-ish ballad "Falling Down." These are darkly atmospheric, pulsating tracks that make the most of Duran Duran's longstanding knack for moody, somewhat cheeky dance-rock. To theses ends, dark disco cuts like "Nite-Runner" and "Skin Divers," with their dominatrix whip beats, high-pitched choruses, and obligatory Timbaland raps, are both deliciously hedonistic and crisply appointed electro-soul numbers. Similarly, tracks like the synth-driven title cut and the angular and oddly funky "Zoom In" come as close as the band has been in years to re-creating its own glamorous and neon-coated '80s aesthetic. ~ Matt Collar, All Music Guide
What The Critics Say
"It's like the Mamas & the Papas meets Kraftwerk." This line, more baffling than a lyric like "Shake up the picture, the lizard mixture, with your dance on the eventide," is how Simon LeBon described Astronaut to Rolling Stone. If it was meant to lower expectations of the first Duran Duran album to feature the Fab Five (meaning LeBon, Nick Rhodes, and the trio of unrelated Taylors) since Seven and the Ragged Tiger, it worked. Astronaut, rest assured, sounds nothing like that match made in hell. Instead, it resembles what the average lapsed Durannie might expect or even hope for -- a modern-sounding mixture of extroverted dance-pop and rock, with a couple of relatively subdued and introverted moments. No sound seems forced, and you can tell that the members are thrilled to be in the same studio with one another. Despite a disparate lineup of producers, including Don Gilmore (Linkin Park, Good Charlotte, Avril Lavigne) and Dallas Austin (Boyz II Men, Janet Jackson, Pink), the songs slide into one another as well as they do on any of the group's early albums. The big, glossy, buoyant songs work best, containing punching choruses and sleekly raucous motifs that manage to trigger faint memories without sounding recycled. The lighthearted mid-tempo funk of "Bedroom Toys," however, is a randy nightmare that's almost as awkward as any of the covers on Thank You. Even with a handful of forgettable songs beyond that, the album is easily the best one credited to the Duran Duran name since 1993's Wedding Album. That's not saying much, but the fact that these five fortysomethings have made something fresh and contemporary -- without acknowledging the '80s revival(s) -- is a feat of some kind. (Note: Short-fused Roxy Music fans are advised to avoid looking inside the accompanying booklet.) ~ Andy Kellman, All Music Guide
What The Critics Say
Apart from the greatest-hits collection Decade, Big Thing was the lowest-charting Duran Duran album to date, prompting the band to rework its sound for 1990's Liberty. Liberty features everything from disco to guitar rock, adding elements of Motown, Philly soul, and new wave along the way. ~ Stephen Thomas Erlewine, All Music Guide
What The Critics Say
Big Thing is Duran Duran's most disappointing album, mainly because the band sounds cold and extremely isolated from their music. Both "I Don't Want Your Love" and "All She Wants Is" made it into the Top 40, but the album only climbed as high as number 24 on the charts. For Big Thing, Duran Duran chose novelty over pop conventionalism, giving "I Don't Want Your Love" a tawdry, unkempt feel that does emit droplets of pop charm, while "All She Wants Is" grinds and clanks along with a rather unfavorable tempo, which gained most of its attention because of its unorthodox style. Duran Duran was now making music apropos for seedy burlesque parlors while surrendering their pop roots, which many fans just couldn't get used to. Big Thing is short on inviting melodies, attractive rhythms, or hooks of any sort. Instead, the band opted for femme fatale lyrics and emotionless rhythms, lost in a bizarre no-man's land of danceclub pop/rock. Outside of the two singles, both "Do You Believe in Shame" (a number 30 hit in the U.K.) and "Lake Shore Driving" hold up the best, but efforts such as "Palomino," "Too Late Marlene," and the title track lack an established feel, sounding more like experiments than rock songs. Throughout the whole of Big Thing, Duran Duran seems more interested in stringing together ambiguous, unconcentrated musical utterances than creating any form of pleasurable music. ~ Mike DeGagne, All Music Guide
What The Critics Say
1986's Notorious has Andy Taylor contributing on only four songs before leaving to start his solo career, but on the strength of the title track's number two placing and "Skin Trade's number 39 mark, the album itself peaked at number 12 in the U.S. and number 16 in the U.K. On the whole, only "Notorious" showed any real livelihood, thanks to its modern gleam and the catchy stutter of its chorus. "Skin Trade" is almost as worthy, thanks to its sultry, seductive air and enchanting but complex rhythmic allure. While the writing is somewhat stable on Notorious, Duran Duran's efforts at sounding enigmatic and covert end up being hot and cold. Tracks like "American Science" and "Vertigo" try too hard, while only "Meet el Presidente," a number 24 hit in Britain, sports a rather appealing flow. Beneath Duran Duran's attempts at trying to sound musically devious, mysterious, and slightly seductive, the tracks fail to bear enough weight in order to be effective all the way through. It's easy to see why the band would choose such a route at this point in their career, but moderate doses of pop enthusiasm would have made Notorious a fuller and more enjoyable package. The provocative, nightclub brand of martini-sipping pop that does surface is meritorious to a certain extent, felt mostly in the album's two biggest tracks. ~ Mike DeGagne, All Music Guide
'Seven and the Ragged Tiger'
Release Date 2/24/1984
Tracks 9
Label Capitol
See Album Tracklist and Review
What The Critics Say
Despite the fact that Seven and the Ragged Tiger couldn't match the unrestrained pop/rock ebullience of 1982's Rio, Duran Duran put three of the album's singles in the Top Ten, taking it to number one in the U.K. Even though "The Reflex" gave the band their first number one hit, there's an overabundance of fancy glitz and dancefloor flamboyancy running through it, unlike "New Moon on Monday"'s straight-ahead appeal or "Union of the Snake"'s mysterious, almost taboo flair. It's apparent that Seven and the Ragged Tiger's content has the band moving ever so slightly into a danceclub arena, with the songs leaning more toward their ability to produce a sexier sound through electronics and instrumentation than through a firm lyrical and musical partnership. Even the unreleased tracks trade Duran Duran's handsome edginess for a shinier sound, heard mainly on "I Take the Dice" and "Cracks in the Pavement." It's here that Lebon and Taylor's personalities begins to get overshadowed by the demand to produce a more synth-snazzy and fashionable style of music. Although they may have turned their songwriting down a notch in order to succumb to the pabulum of synthesized pop, they didn't relinquish every aspect of their genius, and when they do deliver, it's bright, energetic, and effectual. Duran Duran's new direction eventually gave Seven and the Ragged Tiger double platinum status. ~ Mike DeGagne, All Music Guide
