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Dukes of Dixieland Biography

The story of the Dukes of Dixieland is, in fact, a chapter in the broader saga of one of New Orleans' many musical dynasties, that of the Assunto family, which can boast at least three generations of musicians to its credit. Jac Assunto was one of the first jazzmen to record in New Orleans, documented in 1925 by Ralph Peer as a member of the Midnight Serenaders. The Dukes was formed by his two sons, Freddie and Frank, in 1949, and during the '50s it rose to national prominence, first as a feature of the Bourbon Street scene at the Famous Door, then as a touring act when it traveled to Chicago and Las Vegas in 1955. By this time, "Papa" Jac had joined the band, and the following year, the Assuntos made Las Vegas their headquarters as they prepared to take the country, and the world, by storm. Between 1956 and 1966 the band made numerous recordings, including several with Louis Armstrong, and began an international touring schedule that covered most of North America, Japan, and the Far East. The death of Freddie Assunto in 1966 brought the Dukes back to New Orleans in 1967; six years later Frank passed away, ending the predominance of the family in the band, as well as its first phase of development. Still, the Dukes continued on with a new lineup, and in the late '70s, it established itself as a tourist attraction once again in its own penthouse nightclub atop the Montleone Hotel in the French Quarter. In the mid-'80s it underwent further personnel changes but continued to hold forth well into the 21st century. They held forth at Lulu White's Mahogany Hall (the former Paddock Lounge), located on Bourbon Street. In 1991, Mahogany Hall was sold and closed, and the Dukes moved to the Steamboat Natchez at the Toulouse Street wharf in the French Quarter where they have been performing since. They received their first Grammy nomination in 1999 for Gloryland, a collaboration with Moses Hogan's New Orleans Gospel Choir. In all its various manifestations, the Dukes of Dixieland has offered listeners a snappy, toe-tapping style of jazz which is at once musically and visually entertaining. ~ Bruce Boyd Raeburn, Rovi

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