One More Saturday Night
Can, particularly the version of the band fronted by Damo Suzuki, is one of the best rock acts of all time, but their music almost completely resists being covered.
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Can, particularly the version of the band fronted by Damo Suzuki, is one of the best rock acts of all time, but their music almost completely resists being covered.
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Remix albums have something of a deserved bad name: often lazily tossed off cash cows trying to convince the consumer to pay out for the same product twice.
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Ace acid-psych rockers Bo Ningen have announced that they'll be playing a set at this year's Avant Garde Festival in Schiphorst near Hamburg in Germany, which will take in an onstage collaboration with the festival's hosts, Faust.
Read MoreEvolving out of informal jam sessions in late '90s Brooklyn, Endless Boogie have no image, no Wikipedia page, no careerist long-termism.
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Given that Brussels is generally associated with rigid bureaucracy, it's a pleasingly weird and surprising city where roads snake down into wide intersections like a surrealist European answer to San Francisco's Nob Hill, bleak low-rent streets suddenly make way for gasp-inducing churches, and the smoking ban is casually flaunted, with polite good cheer, in restaurants and bars.
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The story of the Quietus Phonographic Corporation began in the autumn of 2012, when a young fellow approached John Doran at a Factory Floor gig, waving a CD under his nose.
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But also, yes, this year's Incubate Festival is in the far-flung horizon, a heaving seven-day Hercules of a festival buoying up the year, and to help you keep that in mind, here's a reminder of 2012's event, a full-length recording of Damo Suzuki's Network's first set at the festival, recorded on Friday 14 September: Suzuki started DSN ten years after he departed Can, and the group's ever-changing cast of musicians having been taking in all comers since, currently numbering around 450 members.
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The Goethe-Institut Brüssel and Belgian record label meakusma are once again joining forces after two successful collaborations in as many years.
Read MoreThe group known as Can is one of absolutely indispensible names to emerge from the well-celebrated Krautrock style, but for quite a while the specifics of their rep were solidly ensconced and pretty much unchanging.
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Indeed, jamming was at the heart of pretty much everything the legendary krautrockers did.
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It should be a worry when your interviewees get distracted half way through your conversation, but as tonight was 5th November and there were fireworks going off all over London I didn't mind when Arbouretum 's Corey Allender (bass) and Brian Carey (drums) were thrown by the Hackney Downs display, which was just about visible out of the pub's window.
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Born from the fluid relationship between avant garde composition and rock 'n' roll, Can's discography remains deeply inspirational.
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Suzuki is playing a set with Can acolytes 23 Skidoo, with support from human-IDMers Three Trapped Tigers, at Village Underground this Sunday, November 11.
Read More"Quite an unbelievable find! This mysterious record has lain undiscovered since the mid seventies when (it is guessed) it was recorded by a group of unknown Japanese musicians and then released privately by Voice records. Rumours of the greatness of this psychedelic masterpiece have circulated for years (largely propagated by Nurse With Wounds famously obscure "list" on which Brast Burn feature) and it has finally seen re-release in a beautiful hand numbered CD issue of just 500. So, now that it's available what's it actually like? Well,… it's simply astonishing. Split into two long sequences, the music runs right up to the edge of sanity and screams wordlessly in the face of madness then jogs back to a lone hill top to lazily invent the form of psychedelic acid folk that Ghost have made an entire career from. There is utterly freaked out, acid-drenched genius at work on this record. Strains of Kraut rock run throughout, Can, and particularly Damo Suzuki's vocal style, are certainly valid comparisons, but this music really does seem to be running a race of its own, clouded in pot smoke, and headed in the wrong direction but glorious while doing it. Highly Recommended."
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Can pushed at the borders of rock, paving the way for everything from industrial through to techno music.
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Last week, the Quietus temporarily relocated to Tilburg, in the Netherlands for this year's edition of the Incubate festival.
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Those good people at Eat Your Own Ears do all sorts of intimate gigs across the capital, including the ace trio of gigs by The xx that we loved a few months back.
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Our friends in the Netherlands Incubate have pulled a blinder and booked grindcore/death metal royalty, Napalm Death for this year's festival.
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Wysing's Space-Time Festival is now in its third year, with this year's edition taking place on 1st September at the 11-acre rural site of the Wysing Arts Centre, 9 miles outside Cambridge.
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It is with huge excitement that we announce punk legends Buzzcocks as this years original innovator for The 1234 Shoreditch.
Read MoreOk, now that that's out of the way let's talk about Geoff Barrow's new record with what has been described as his krautrock side project, Beak> , but which, on listening to this, its fuck-you-stupidly-titled second effort, sounds like an immensely reductive way to describe such a focused and cohesive unit.
Read MoreIt's a testament to how far out Can 's music still seems, over 30 years after the band originally split, that we try to understand it not by looking for musical answers, but by clinging to fantastical suppositions.
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Towards the start of his book-cum-memoir It's Only a Movie , the film critic Mark Kermode pre-emptively confesses that 'what you're going to get... is a version of my life which has been written and directed by me, and on which I have acted as editor, cinematographer, consultant, composer and executive producer.'
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The French cosmic synth pop duo are releasing the track as second single from their ace album The Echo Show today [Monday June 18].
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Fifteen, twenty years ago, it would have been natural to respond to The Lost Tapes not just with astounded applause but with a rather lofty prescription: any group could learn a lot from close, repeated listening.
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Iconic former Can front man Damo Suzuki will be touring the UK again next week, with a triptych of dates in Brighton, London and Liverpool.
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As previously reported , legendary Krautrock outfit Can will will release their new compilation, The Lost Tapes , on June 19th through Mute Records.
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Three CDs of rehearsal tapes, live recordings, studio jams and forgotten soundtracks might, in the case of most bands, seem like an overwhelming, most likely futile, indulgence.
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Don Van Vliet – the late singer-composer-provocateur known as Captain Beefheart – was recovering from the deepest nadir of his musical life, two mid-Seventies albums of straight-line rock and sugar-rhyme ballads, when he hit another: the 36-year exile of his comeback shot, Bat Chain Puller (Vaulternative).
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Arriving on June 18th, 2012, is the long awaited release of the ultra influential Can 's The Lost Tapes featuring tracks from 1968-1977, in a three CD box set.
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CROUCHED IN THE CORNER of a back room in a semi somewhere in Prestwich, Mark Smith flips through one of several large stacks of records; stops; considers pulling out an album; then thinks the better of it.
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Krautrock, psych, improv legend Damo Suzuki is teaming up with Quietus approved Gallic dreamgaze sorts Yeti Lane for what should be a mouth watering gig that we're putting on in association with the Sonic Cathedral label.
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Krautrock legends Can will release The Lost Tapes, a 3-CD box set featuring unreleased studio and live material, on June 19th.
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Sindie 4 tread everywhere from Wire's concise punk to Roxy Music's sophisticated touch of glam, from swirling organ-led psychedelia to hazy British Invasion.
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And these 2 CD's that Racer sent me from Alone Records are pretty damn weird.
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There were true prizes – the Beach Boys' Smile sessions unleashed; Bear Family's complete survey of country music's Ground Zero, The Bristol Sessions – among the Cadillac boxed sets that overwhelmed the end of 2011.
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Can have long been one of those bands that are more talked about than heard.
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