Chitlin' Fooks Albums (2)
What The Critics Say
On their sophomore outing, Chitlin' Fooks, the duo of Carol Van Dijk (of former Holland alterna-rockers Bettie Serveert) and Pascal Deweze (Sukilove), continue the vein of alt-country pop they initiated on their 2001 self-titled debut. This time around, aided by a gaggle of Antwerp musicians, the duo pushes the boundaries of their chosen idiom. They no longer simply sound like a couple of talented Europeans with a serious jones for Emmylou Harris and Gram Parsons, but a thriving combo stretching their legs into other regions. They still do effectively heart-worn country -- "Sorry" is a wrenching ballad -- and upbeat, classic-minded country & western ("Oh, Joanna"). Nevertheless, the rousing, horn-driven title track, the best tune here, ushers in a whole new bag of sounds. The result is a swinging brand of cosmopolitan roots pop. Deweze's vocal contributions are much stronger this time around, but he's smart enough to let Van Dijk shine -- and vocally, this is her album. She had an intriguing set of pipes even back in the Serveert days, but her unique, unobtrusive, and appealing tones have only gotten better over the years. Furthermore, the country template, which allows her to emotionally nestle into the tracks, seems to suit her better than the alt-rock of yore. The only ill-advised step on Did It Again is the lukewarm, Stonesy barroom crunch of "Take the Money and Run." Otherwise, this is a solid and appealing alt-country effort with pop smarts. ~ Erik Hage, All Music Guide
What The Critics Say
This is country music in the style of Gram Parsons and Emmylou Harris (the obvious inspirations behind the sweet-tart country-rock vibe, right down to a reverent cover of the Flying Burrito Brothers' "Juanita"), but the country in question is Belgium. Recorded in just over three weeks in an Antwerp studio during a break in the principals' day-job schedules, Chitlin' Fooks brings Pascal Deweze of Sukilove and Carol Van Dyk of Bettie Serveert together with various members of the Belgian pop scene. Chitlin' Fooks is entirely different from anything either Van Dyk or Deweze has ever attempted previously, but it deserves credit not only for being an artistic change of pace, but also for being an entirely credible '70s style country-rock album. More authentically country than three-quarters of the alt-country bandwagon jumpers, this album neither condescends to the style (though the hokey rendition of Jimmie Rodgers' "Mississippi Delta Blues" that closes the album is just a little too cutesy) nor tries to mimic every last Grand Ole Opry twang in a misguided attempt at "authenticity." In particular, Van Dyk is a marvel; her voice is ideally suited to the material, the rootsier the better. It's almost impossible to believe this is the same cookie-cutter alterna-chick who appeared on Bettie Serveert's early albums. Even more than Bettie Serveert's 2000 album Private Suit, Chitlin' Fooks shows how completely Van Dyk has matured as a singer. Unfortunately, Van Dyk's stunning voice is somewhat under-used. Although Deweze acquits himself well throughout the album, he's simply outclassed as a singer, and the blend of the two leaders' vocals (which really does recall that of Parsons and Harris at times) could have been used more. That said, when one has to look at the songwriting credits to figure out which songs are covers and which are originals, it's clear that Chitlin' Fooks, unexpected though it might be, is more than just a studio lark. ~ Stewart Mason, All Music Guide
