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UMCS, CHARLES BRADLEY, AND OTHER QUESTIONS ANSWERED

- Source: Soul Sides

"I was wondering if you know what the beat is that the UMC's freestyle over on Stretch and Bobbito's radio show. I am pretty sure that Stretch put together beats, so it may be something he created. Regardless its classic case of how good stripped down drums and bass can sound."

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Victim of Love

- Source: Crying All The Way To The Chip Shop

Since the release of 2011's award winning debut, No Time for Dreaming, Charles Bradley has transformed from a rising star in the Daptone galaxy into a bona-fide headliner, now affectionately known across the globe as "The Screaming Eagle of Soul." Otis, JB, Wilson Pickett, and Darrell Banks.

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Victim of Love

- Source: Rolling Stone

Late-blooming soul belter Charles Bradley, who released his debut album in 2011 at the age of 62, is the best kind of retro act: a fully committed one.

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Charles Bradley – Victim of Love

- Source: The Line Of Best Fit

There can be few artists who are discovered while in their fifties performing as James Brown impersonators.Yet that is exactly what happened to Charles Bradley when he was discovered by Daptone Records' Gabriel Roth. Encouraged into the studio, Bradley teamed up with Sugarman & Co in 2002 and later with The Bullets for a number of singles.

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'Save The Date' Soundtrack Features Wilco, Giorgio Moroder, Charles Bradley & More; Film Opens December 14

- Source: The Playlist

Featuring twelve tracks, including Wilco 's sunny "Heavy Metal Drummer" cut from their celebrated 2001 album Yankee Hotel Foxtrot , the soundtrack features a seminal electro song from the pioneer of disco Giorgio Moroder (" Baby Blue"), plus songs by ambient electro-folk post-rocker The One Am Radio (and a cut under his real name Hrishikesh Hirway ), lush bliss-pop band Houses , R&B comeback story Charles Bradley , Wolfbird, Brooklyn-based synthpop trio Class Actress, L.A. soul revivalist Nick Waterhouse , White Dress frontwoman Arum Rae and more.

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Hot Docs -- Reviews (May 4-6, 2012)

- Source: For the 'records'

This was an interesting documentary interweaving director Avi Weider's own story of the premature birth of his newborn triplets and their subsequent dependence on a high-tech neonatal unit with commentary from various individuals and academics on the relationship between humans and technology.

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