The Black Market: The Month In Metal — March 2013
I started my marathon at Show No Mercy's showcase and closed it at Invisible Oranges'.
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I started my marathon at Show No Mercy's showcase and closed it at Invisible Oranges'.
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Young punks Iceage have caused a stir recently with thrilling live shows and critically acclaimed records, yet there is one murky subject that just won't go away.
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Before there were blogs there were these things called magazines, and the only metal magazine we still get excited about reading every month is Decibel.
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Next month, Darkthrone will release The Underground Resistance , their 16th studio LP (or 15th, depending on how you catalog these things).
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If you want an albums list, you can find that at Metalsucks. 10.
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I haven't seen Judd Apatow's new film, This Is 40 , so I can't really comment on its flaws or virtues, but I will say that I'm impressed by the film's deep connection to music.
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I'd say, "What is it about them that usually bring about such great music and movies?" but… well, the answer's obvious: the world is all worked up over some shit, art reacts to the world, and people want to make significant statements.
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In the Book Notes series, authors create and discuss a music playlist that relates in some way to their recently published book.
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We take a quick look into some of the best music documentaries around.
Read MoreReader Bennett (he's one of the good guys! Follow him on Twitter !) asked me this morning to recommend my choice for what should be his first Chrome album.
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Heavy Metal Underground is a new feature where columnist Alex Phillips will look to the unsigned bands, and pick out ones he feels deserve a spotlight shined on them.
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Chelsea Wolfe is a dark, mysterious chanteuse who's last record caught a lot of people's ears with its delicate gradient shifts from burning white to pitch black.
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I stumbled upon the Los Angeles vocalist and multi-instrumenatlist Chelsea Wolfe 's music a couple of years ago via a cover she did of "Black Spell of Destruction", originally found on one-man Norwegian black metal band Burzum 's 1992 self-titled debut.
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The state of British black metal has always been a bit of a sore spot for folks across the pond.
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Norwegian noise rockers Årabrot have recently released a new EP, Mæsscr , out now via Fysisk Format, and their ninth release in total.
Read MorePhil Elverum has always been relatively nomadic in terms of his aesthetic scope, fluently shifting from soft-spoken acoustic strummer to gut-wrenching feedback maestro.
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In the wake of the recent massacre at a Sikh temple in Wisconsin, many media sources have taken shooter Wade Page 's association with the underground white-supremacist music scene and blown it up to sensationalist proportions.
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1) Music has always been, and will always continue to be one of the most vital forms of free expression; whilst it's equally valid as a medium of art in and of itself, the importance of its frequent utilisation as a tool to rally against social, political and religious injustices cannot be under stated.
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In 2012, the only thing more boring than talking about the past of pioneering musician, divisive theorist, and infamous loudmouth Varg Vikernes, aka Count Grishnackh, is listening to the music he's now releasing as Burzum.
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I'm not in the mood for witty anecdotal introductions this week.
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Phil Elverum, the soft-spoken Anacortes, Wash., songwriter behind the Microphones and Mount Eerie , possesses a clear-headed calm that can be misinterpreted as depression.
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The musical genius is back with his third post-incarceration album full of swirling, fuzzed out black metal riffs, bleak atmospherics and precise minimal drumming.
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Nonetheless here are some more pointless things I've learned in the last month: 1) If proof were ever needed of metal's (and music in general) ability to transcend boundaries of geography, race and good sense I give you Orisha Shakpana , Jamaica's best (and only) black metal band.
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Now that SXSW 2012 is done, we're counting down the days until the next one.
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Despite the generic image of heavy-metal fans as long-haired philistines in denim vests who'd rather be throwing horns than thinking about their world, the metal community regularly wrestles with thorny politics.
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Take Cover features interviews with the people behind today ' s most striking album covers.
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"There are now many historians who study popular culture, lowbrow entertainment, and the people of the streets, but I am always dismayed to find that they treat every saloon, high-heel shoe, or rock song as something else. If they are sympathetic to the people who consumed them, such things are remade into 'resistance' against oppression or 'collective alternatives' to capitalist individualism. God forbid they could be simply and only 'fun.'" –
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BLACK METAL: to some it's the purest embodiment of uncompromising musical nonconformity, while to others it's the meme that keeps on giving (I predict knit corpsepaint ski masks will be all the rage before February wraps up).
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I ended the previous Show No Mercy by saying "2011 will go down as the year I got sick of talking about black metal."
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Hearing the words "Norwegian metal band" can conjure up an image of face-painted, provocative TNBM loons like Mayhem and 1349 while the idea of a "Norwegian noise group" can suggest very serious people making dense walls of harsh noise espoused by Lasse Marhaug and Jazzkamer.
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I suppose "occult rock" is a handy enough term for it, anyway; it's easier than stringing together "70's-influenced psychedelic doom rock" to describe the aural spells these wicked women weave.
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If The New Yorker music critic Sasha Frere-Jones was looking to stir the cauldron with his recent piece on U.S. Black Metal , he no doubt succeeded.
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The image that Chelsea Wolfe projects dovetails with the general aesthetic put forth by her label, Pendu NYC.
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So when I tell you that, by the time The Chef has served coffee punctually at 3pm, I've already been through Hell once, it's got nothing to do with the previous night spent drinking thirstily in two of Trondheim's most popular hangouts, BrukBar and Familien.
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With their mixture of avant garde art-pop moments and sky scraping choruses, we here at Gigwise are most definitely fans of Oxford band Fixers.
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When Mastodon's Leviathan , that rarely-matched-since slab of whale-sized sludgy goodness, came out in 2004, it looked like Relapse Records was on top of the metal world.
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In case you missed my earlier tweet , I accepted a position at Pitchfork, where I'll be returning as an Editor on Monday, 8/1.
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The first two waves of black metal – that is, Bathory, followed by the full gamut of the early 90s Norwegian scene – in many ways informed everything that has been produced in the genre since.
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A paintball field might be an odd place to have a gig, but in a country where the last bar closed in the 70s, it beats playing a basement or a backyard.
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A month ago we told you about " Holdin' On to Black Metal ," a little ditty by My Morning Jacket, not a band you'd really expect to write a song about the darker side of music.
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