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Watch Eels’ This Is 40 Outtake

- Source: Stereogum

I haven't seen Judd Apatow's new film, This Is 40 , so I can't really comment on its flaws or virtues, but I will say that I'm impressed by the film's deep connection to music.

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On Weird Cover Songs

- Source: Swan Fungus

Reader Bennett (he's one of the good guys! Follow him on Twitter !) asked me this morning to recommend my choice for what should be his first Chrome album.

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Update: Chelsea Wolfe

- Source: Pitchfork Media

I stumbled upon the Los Angeles vocalist and multi-instrumenatlist Chelsea Wolfe 's music a couple of years ago via a cover she did of "Black Spell of Destruction", originally found on one-man Norwegian black metal band Burzum 's 1992 self-titled debut.

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INTERVIEW: Årabrot

- Source: The Quietus

Norwegian noise rockers Årabrot have recently released a new EP, Mæsscr , out now via Fysisk Format, and their ninth release in total.

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Horns Up Ya Shitters! July's Best Metal Reviewed

- Source: The Quietus

1) Music has always been, and will always continue to be one of the most vital forms of free expression; whilst it's equally valid as a medium of art in and of itself, the importance of its frequent utilisation as a tool to rally against social, political and religious injustices cannot be under stated.

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Burzum: Umskiptar

- Source: Pitchfork Media

In 2012, the only thing more boring than talking about the past of pioneering musician, divisive theorist, and infamous loudmouth Varg Vikernes, aka Count Grishnackh, is listening to the music he's now releasing as Burzum.

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Update: Mount Eerie

- Source: Pitchfork Media

Phil Elverum, the soft-spoken Anacortes, Wash., songwriter behind the Microphones and Mount Eerie , possesses a clear-headed calm that can be misinterpreted as depression.

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May In Metal, Part I

- Source: Pop Dose

The musical genius is back with his third post-incarceration album full of swirling, fuzzed out black metal riffs, bleak atmospherics and precise minimal drumming.

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Horns Up Ya Shitters! The Best Metal Of March Reviewed

- Source: The Quietus

Nonetheless here are some more pointless things I've learned in the last month: 1) If proof were ever needed of metal's (and music in general) ability to transcend boundaries of geography, race and good sense I give you Orisha Shakpana , Jamaica's best (and only) black metal band.

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Drudkh: Eternal Turn of the Wheel

- Source: Pitchfork Media

Despite the generic image of heavy-metal fans as long-haired philistines in denim vests who'd rather be throwing horns than thinking about their world, the metal community regularly wrestles with thorny politics.

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Articles: I Went and Saw Me Some Sleigh Bells/Diplo/Liturgy

- Source: Pitchfork Media

"There are now many historians who study popular culture, lowbrow entertainment, and the people of the streets, but I am always dismayed to find that they treat every saloon, high-heel shoe, or rock song as something else. If they are sympathetic to the people who consumed them, such things are remade into 'resistance' against oppression or 'collective alternatives' to capitalist individualism. God forbid they could be simply and only 'fun.'" –

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A Hole In The Sky: Årabrot Interview And Mix

- Source: The Quietus

Hearing the words "Norwegian metal band" can conjure up an image of face-painted, provocative TNBM loons like Mayhem and 1349 while the idea of a "Norwegian noise group" can suggest very serious people making dense walls of harsh noise espoused by Lasse Marhaug and Jazzkamer.

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INTO THE COVEN: WOMEN OF OCCULT ROCK

- Source: Metal Sucks

I suppose "occult rock" is a handy enough term for it, anyway; it's easier than stringing together "70's-influenced psychedelic doom rock" to describe the aural spells these wicked women weave.

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Tombs - Path of Totality

- Source: The Quietus

When Mastodon's Leviathan , that rarely-matched-since slab of whale-sized sludgy goodness, came out in 2004, it looked like Relapse Records was on top of the metal world.

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