Boys Like Girls' self-titled debut album was an unexpected success, eventually going gold. Devoid of any hit singles or a truly distinctive sound, the album seemed to catch on because it was a perfect distillation of the emo pop sound with no rough edges to scare people away. For the follow-up, 2009's Love Drunk, the band sticks to the same basic template of super slick, glossily produced emo pop with uptempo songs that sound stadium singalong-friendly and ballads that seem destined to melt teenage girls' hearts. The difference this time is that the songs are better written and hookier, especially the rockers. "She's Got a Boyfriend Now" and "Contagious" sound like 2000s updates of the classic '80s sound of pop/rockers like Bryan Adams and Rick Springfield; "Real Thing" even conjures up the red leather and headbanded ghost of Loverboy. Strip away a few of the modern things like Auto-Tune and programmed drums, and there you are. These very catchy, super fun rockers comprise two-thirds of the album and the strongest part of the record; the rest is made up of modern rock ballads that sound like the work of a different band entirely. In the end, Love Drunk is an improvement on their debut and a surprisingly good pop/rock record with emo leanings.~ Tim Sendra, All Music Guide
Oh, Boys Like Girls. With their eponymous debut for Red Ink, the Boston quartet marks its entry into the effervescent world of sugary, emo-blasted pop/rock. They've got the gleaming guitars, urgent vocals, and driving rhythms propelling three-minute ditties about their hearts, their girls, and those girls who just like to toy with their poor hearts. But unlike similarly styled bands, Boys Like Girls are largely lacking much of anything that could either separate them from the pack or, at the very least, give them more substance to appeal to more than just the teenaged girls who will be singing along enthusiastically at shows while secretly pining for the shaggy-haired, boyish clan. Boys Like Girls are simply without the overwhelming catchiness of the All-American Rejects or the unbridled enthusiasm of the City Drive. Instead, listeners are left with an offering that is almost catchy and enthusiastic. Even the few standouts -- like the summer drive of "The Great Escape" and "Heels Over Head" -- will be pretty hard to recall by the lukewarm album's end. Regardless, those looking for a quick fix will surely eat up the likes of Boys Like Girls. ~ Corey Apar, All Music Guide