Bonnie Tyler Albums (19)
What The Critics Say
Bonnie Tyler's most recent studio album is a mixed bag of tricks -- it contains mostly new songs (including her latest international hit, "Louise," in both French and English versions), as well as new recordings of some classics -- namely "Total Eclipse of the Heart" and "It's a Heartache." The result is an uneven listen and it definitely falls shy of Tyler's Columbia Records or BMG International periods. Unfortunately, the addition of "Total Eclipse" and "It's a Heartache" merely serves to point out that Tyler's work used to be much more powerful and much more daring. If nothing else, the album serves as a herald that Tyler should be re-teaming with a producer of Jim Steinman's caliber to bring out the best in her inimitable voice. Tyler is one of the most powerful female pop vocalists of her generation -- but Wings only acts as a reminder as to what exactly made Tyler such a pop phenomenon two decades earlier. Some high points no doubt, but largely -- and unfortunately -- forgettable. ~ Tomas Mureika, All Music Guide
'Simply Believe'
Release Date 4/13/2004
Tracks 15
Label Sony/Epic Group Project
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What The Critics Say
Though she's removed from her glory years of pop superstardom, Bonnie Tyler is still in fine form two decades later, and starts off this album with a French rendition of her most popular song, "Total Eclipse of the Heart," retitled as "Si Demain." And it's not the only re-recording found here, as she also does French honors to "It's a Heartache" and "Holding Out for a Hero." Her raspy, signature voice is an interesting contrast against a bed of well-polished and overly chorused music, but unfortunately this cold production is jarring given the warmth of the original tunes and her bluesy delivery. Nevertheless, it's a nice return to form that will satisfy die-hard fans, although newcomers to her sound would be better off with a greatest-hits collection instead. ~ Rob Theakston, All Music Guide
'Secret Dreams & Forbidden Fire'
Release Date 12/9/2003
Tracks 9
Label Sony International
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'Heartbreakers'
Release Date 10/26/1998
Tracks 20
Label Castle Select
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What The Critics Say
The Heartbreakers collection features Bonnie Tyler's pre-Columbia work with Ronnie Scott and Steve Wolfe, along with a number of rarities. This is a more countrified Tyler with a few pop nuggets thrown in, but these tracks predate her fame and signature sound created by Jim Steinman. A good compilation (especially for the rarities), Heartbreakers is a nice retrospective of Tyler's work in the late '70s. Of course, these are the hits from that time period, and it is still well worth the effort to check out the original RCA albums to hear the true gems. A nice overview nonetheless. ~ Tomas Mureika, All Music Guide
What The Critics Say
Bonnie Tyler returned in the mid-1990s after a long hiatus with Free Spirit, her first U.S. release in years, although foreign releases have kept her somewhat in the European spotlight. Her throaty voice sounded as raspy and smoky as ever, (reminiscent of Kim Carnes or a female Rod Stewart), which is what made Bonnie Tyler so unique. Several songs on this album rate about average, but there are several shining moments which should have brought this set, from such an engaging singer, much more attention than the minimal it received. To begin with, her rendition of "Making Love out of Nothing at All," the early-1980s Air Supply hit, is fantastic, clocking in at nearly eight minutes, and seems perfectly suited for her voice. Their version was already great, but hers is awesome. The album's first single (which went nowhere) was a dance remake of the Meat Loaf hit "Two Out of Three Ain't Bad," and the upbeat treatment sends the song in a whole different, and entirely appealing, direction. Her performance is truly passionate, and makes for a song that would have sounded fantastic on the radio as well as in a nightclub. Her blown-up rendition of "Bridge Over Troubled Water" is perhaps a little too much for some, and may reach the point where her asset becomes a liability. When she sings in an understated manner, such as the intimate "Time Mends a Broken Heart," the lovely "What You Got," and the appealing power ballad "All Night to Know You," the results are just as good, if not better. There are some low points, especially the obnoxious and tacky "Sexual Device" and "Driving Me Wild," both which recall the worst of bad 1980s hair metal. Despite these pitfalls, this album has some great moments, and when she shines, she becomes a "free spirit." ~ Jose Promis, All Music Guide
What The Critics Say
A collection of Bonnie Tyler's post-Columbia work featuring international hits like "Bitterblue," "Angel Heart," "Against the Wind," and "Sally Comes Around," Lost in Love is a good compilation, but missing some of the highlights of her prolific work during the early '90s. Check out the original albums for a better retrospective of this time in Tyler's career. ~ Tomas Mureika, All Music Guide
What The Critics Say
By the time Bonnie Tyler completed Silhouette in Red in 1993, she already had nearly a dozen albums to list in her musical resumé, not counting those done as collections. She is probably best known for her three biggest hits, "Total Eclipse of the Heart," "Holding Out for a Hero," and "It's a Heartache." Those songs and others earned her both gold and platinum albums, as well as a loyal following in the United States, Germany, England, and other countries. Tyler perfected her singing talents by performing with a band in numerous clubs in the early '70s. She was a big fan of singers like Tina Turner and Janis Joplin, and those strong influences often shine through on this hard to find album. With standout numbers like "Sally Comes Around," "Send Me the Pillow," and "You Won't See Me Cry," Silhouette in Red is a great find -- if you can get your hands on it. ~ Charlotte Dillon, All Music Guide
