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‘Face Time: Songs for Mamas

- Source: Pop Dose

Sure, the Man Who Would Be Babyface — Kenneth Edmonds — was born in 1959, but the singer, songwriter, producer, and all-around hit maker extraordinaire began taking baby steps up the Billboard charts the year Michael Jackson's Thriller dominated every chart.

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‘Face Time: Alicia Keys, “That’s When I Knew”

- Source: Pop Dose

Sure, the Man Who Would Be Babyface — Kenneth Edmonds — was born in 1959, but the singer, songwriter, producer, and all-around hit maker extraordinaire began taking baby steps up the Billboard charts the year Michael Jackson's Thriller dominated every chart.

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‘Face Time: Bobby Brown, “Roni”

- Source: Pop Dose

Sure, the Man Who Would Be Babyface — Kenneth Edmonds — was born in 1959, but the singer, songwriter, producer, and all-around hit maker extraordinaire began taking baby steps up the Billboard charts the year Michael Jackson's Thriller dominated every chart.

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Rising: Autre Ne Veut

- Source: Pitchfork Media

When Arthur Ashin, the 30-year-old Brooklyn musician who operates under the moniker Autre Ne Veut , suggests we conduct our interview at my apartment "to improve a sense of conversation," I assume it's part of his bedroom-pop/art-school schtick-- a thinly veiled attempt at eccentricity.

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Album Review: The Soft Pack – Strapped

- Source: Consequence of Sound

A few weeks back, I watched Amoeba Records' What's in My Bag , where musicians share their store purchases, featuring San Diego rockers The Soft Pack. With remarkably similar tastes, the foursome snagged LPs from Funkadelic, R.E.M., Kurt Vile, Mazzy Star, Can, The Doors, and more.

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By the Power of Dre Skull

- Source: XLR8R

On any given day, you might find Dre Skull (a.k.a. Andrew Hershey) flying to London to DJ at Notting Hill Carnival, recording with Lil Scrappy in Atlanta, working with an 18-year-old R&B vocalist he met on Craigslist, or hanging out with bounce rapper Katey Red in New Orleans.

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Carol Kleyn: Takin' the Time

- Source: Pitchfork Media

Carol Kleyn got her start in the early 1970s, playing Ren Fests and community fairs, busking on street corners for loose change and whatever professional advancement she could muster.

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