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Karenn - sheworks004

- Source: The Quietus

One of the more curious – and to these ears, welcome - tropes of the past year in electronic music has been the revival of banging techno, of the fist pounding late 90s model.

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2012's Noises In The Ether: A Rum Music Special

- Source: The Quietus

Ok, so the title of this piece is also a bit of a shameless nod to my radio show, Noise in the Ether , but it's also a neat and relevant way of describing how noise music has evolved in recent years, culminating in some thoroughly fascinating releases in 2012 that have taken the genre by the scruff of the neck and hauled it into new areas, maybe even into a new era.

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Peaking Lights - Lucifer in Dub

- Source: BBC Music

This six-track dub remix collection, which adapts the content of Peaking Lights' second UK-released album Lucifer , is an unconventional if not unprecedented move.

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Industrial Resonance: The Roots of Industrial Music

- Source: LITTLE WHITE EARBUDS

"The abandoned motorway ran off into the haze, silver firs growing through its sections. Shivering in the cold air, Talbot looked out over the landscape of broken overpasses and crushed underpasses. The pilot walked down the slope to a rusting grader surrounded by tyres and fuel drums."

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Sommer

- Source: XLR8R

Many try, but few artists succeed in making music like Rod Modell.

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Darling Farah - Body

- Source: The Quietus

Emotionally resonant and melodically involving techno has had a sterling innings this year: first, there was Donato Dozzy and Neel with Voices from the Lake - a submerged and humid evocation of swampy exotica; Claro Intalecto's Reform Club , meanwhile, was a career high, all epic pads and driving rain; then Actress RIP was, well, Actress.

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Fetch

- Source: XLR8R

When a collaboration involves back catalogs packed with names like Basic Channel , Rhythm & Sound, Vocalcity , Mutila , Sun Electric, and nsi. , it's natural to expect something equally epochal.

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The Tresor EP

- Source: XLR8R

There is likely no better current interpreter of that power sonic-groove thang shared by Detroit and Berlin than Mike Huckaby.

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Moritz Von Oswald Trio - Fetch

- Source: The Quietus

There's a hypothetical nightclub that, at present, exists solely in my imagination: it's a hybrid combination of the Star Wars bar, the Korova in A Clockwork Orange , and that weirdo Canadian clubhouse from Fire Walk With Me. In it, the barkeeps might serve burbling broths of kombucha and gin, or ayahuasca in a hollowed-out pineapple, shaded by cocktail umbrellas, perhaps with some sort of delectable psychotropic hors d'oeuvres on the side.

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Fifty Outsiders : 41 - 50

- Source: ClashMusic.com

The final part of Kris Needs Fifty Outiders list for Clash magazine's Outsider issue includes such musicians as Mark Stewart, Daniel Johnston, Underground Resistance, MF Doom and more. 41.

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Moritz von Oswald Trio Preps New LP

- Source: XLR8R

Influential techno artist Moritz von Oswald and his troupe of musicians, which includes Sasu Ripatti (a.k.a. Vladislav Delay ) and Max Loderbauer, are set to release a new LP on Honest Jon's , the label home of the group's discography thus far.

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Actress - R.I.P.

- Source: ClashMusic.com

Fanatically assembling emotions and mental inductions that range from psychotropic industrialism to claustrophobic astral ascents; we once again face an Actress audio communion.

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Spontaneity Is The Key: Addison Groove Interviewed

- Source: The Quietus

Harnessing the schizoid bounce of Chicago juke, the utilitarian drive of techno and the concave sub weight of dubstep into an area both instantly recognisable and entirely his own, under his alias Addison Groove Tony Williams has quickly cemented his position in the UK's bass spectrum.

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THE MIXMAG THING LEEDS RETURNS

- Source: Mixmag

Our brother Leeds party, That Mixmag Thing Leeds, is back on May 11 with Sam Russo, Josh T, Simon Morell, Matt Gray, Aartekt, Jack Wickham, Ethan Macnamara, Tim Morrison, Inenco and Maria Luisa.

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Rocket Juice and the Moon – Rocket Juice and the Moon

- Source: The Line Of Best Fit

Dreamed up on a plane en route to a festival in Lagos where Albarn, Allen and Flea were due to perform separately, Rocket Juice and the Moon is centred on a great idea: a cultural/musical mash-up cooked up quicker than anyone can have time to express any doubt as to whether its multiple elements – Fela Kuti-authored Afrobeat, dub reggae, African pop forms, hip hop, murky soul, sweaty funk, New Orleans horns, freeform keyboard odysseys – can possibly coexist harmoniously.

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VCMG - SSSS

- Source: The Quietus

But there's a point 2.29 into 'Zaat' when, after an extremely tastefully-executed breakdown the kick returns with mighty force, and I'm having a powerful flashback to Trade, the apogee of sensory deprivation clubbing.

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